The film imitates a poetic wandering through the Central European city and its memory, through different time periods and places, blurring reality and fiction. 

The film is constructed from a collection of fragments, stories, images and impressions. In the flux of images shaping the non-existing city, the film accentuates the footprints of the vanished Communist and Jewish worlds it once contained. In parallel, the film focuses on technical exploration, as it is entirely made out of stamps, carved from erasers.