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The evolution of the photographic image may be a well-documented phenomenon, but what about its reception, in particular to its limits to elicit an emotional response? As we encounter visceral depictions of migration crisis in Europe or the occupation of Palestine, filmmakers have wondered whether film has its limits. Please join filmmakers Amel Alzakout, Khaled Abdulwahed (PURPLE SEA), Ra’anan Alexandrowicz (THE VIEWING BOOTH) and curator Pamela Cohn, for a conversation on images and their fundamental status in cinema.kout, Khaled Abdulwahed (Purple Sea), Ra’anan Alexandrowicz (The Viewing Booth) and curator Pamela Cohn, for a conversation on images and their fundamental status in cinema.
with directors Amel Alzakout, Khaled Abdulwahed and Ra’anan Alexandrowicz, moderated byPamela Cohn
The evolution of the photographic image may be a well-documented phenomenon, but what about its reception, in particular to its limits to elicit an emotional response? As we encounter visceral depictions of migration crisis in Europe or the occupation of Palestine, filmmakers have wondered whether film has its limits. Please join filmmakers Amel Alzakout, Khaled Abdulwahed (PURPLE SEA), Ra’anan Alexandrowicz (THE VIEWING BOOTH) and curator Pamela Cohn, for a conversation on images and their fundamental status in cinema.kout, Khaled Abdulwahed (Purple Sea), Ra’anan Alexandrowicz (The Viewing Booth) and curator Pamela Cohn, for a conversation on images and their fundamental status in cinema.
with directors Amel Alzakout, Khaled Abdulwahed and Ra’anan Alexandrowicz, moderated byPamela Cohn