Shot over the advent season of December 2018 to New Year’s day 2019,&nbsp;Echo&nbsp;comprises 56 single-shot vignettes that together draw a jigsaw-like portrait of modern day Iceland at Christmas time. In open countryside, a farm is burning. In a school, a choir is singing carols. In a museum, a janitor argues on the phone whilst cleaning the windows of a taxidermy exhibit. Of his film, Rúnar Rúnarsson has said: 'In this sometimes stressful time of year it’s easy to lose track of ourselves and get disconnected from our surroundings. At the same time, the dusk of the year fuels self-reflection and enables us to put our lives into perspective, often evoking empathy for others. Each individual in the film will only appear in a single scene and therefore there won’t be a main character. Each scene is an observing, static one take shot on a tripod. Time is only broken when there is a cut between scenes. By themselves, these scenes either tell a short story or capture a mood or an emotion, but together they form a whole. It will be a kind of mosaic picture that functions as an echo from postmodern society, a contemporary mirror.'

Echo by Rúnar Rúnarsson

Shot over the advent season of December 2018 to New Year’s day 2019, Echo comprises 65 single-shot vignettes that together draw a jigsaw-like portrait of modern day Iceland at Christmas time

We were delighted to be joined by Tabi Mudaliar, Jamie Quantrill and Victoria Miguel for a conversation about the film. This conversation took place in Zoom on Fri 11 December. You can watch the discussion recording above (please note that you need to have reserved a ticket for the film itself in order to have access to watch the discussion). Captions for the discussion will be available from Sunday (13 December), and can be switched on via the CC button.

Echo live discussion (CC Captions avaialble)

Replay our live discussion of Echo, with short response to the film from special guests, Tabitha Mudaliar, Jamie Quantrill and Victoria Miguel

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Echo

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