Can You Sense It?

Can You Sense It? Part 3: Conversation with Bridget Reweti, Tamika Galanis, and Jacqui Brown

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Stream begins May 10, 2021 10:56 PM UTC
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Bridget Reweti (she/her) is an artist and curator from Ngāti Ranginui and Ngāi Te Rangi in Tauranga Moana, Aotearoa. Her lens-based practice practice explores indigenous landscape perspectives and the intricacy of contemporary Māori realities. Bridget has held numerous residencies both nationally and internationally and her work is held in both private and public collections, she is the 2020-21 Frances Hodgkins Fellow at Otago University.

Bridget is part of Mata Aho Collective, a collaboration between four Māori women artists who produce large scale textile works, commenting on the complexity of Māori lives. Bridget has a vested interest in making space from governance to operations to audience for Māori to feel safe and brave in the arts. She has curated both solo and group shows throughout Aotearoa and also co-editor of ATE Journal of Māori Art, an annual peer-reviewed journal of Māori Art.

Bridget holds a Masters with first class honours in Māori Visual Arts from Toioho ki Āpiti, Massey University and a PgDip in Museum and Heritage Studies from Victoria University of Wellington.

Website: http://www.bridgetreweti.com/


Tamika Galanis is a documentarian and multimedia visual artist. A Bahamian native, Tamika’s work examines the complexities of living in a place shrouded in tourism’s ideal during the age of climate concerns. Emphasizing the importance of Bahamian cultural identity for cultural preservation, Tamika documents aspects of Bahamian life not curated for tourist consumption to intervene in the historical archive. This work counters the widely held paradisiacal view of the Caribbean, the origins of which arose post-emancipation through a controlled, systematic visual framing and commodification of the tropics.

 

Tamika’s photography-based-practice includes traditional documentary work and new media abstractions of written, oral, and archival histories. Hacking the Narrative is a multimedia project composed of photographs, film, and sculptural objects that shed light on the conditions in which Bahamians live outside of the mythical promise of paradise.

Tamika is based in Durham, North Carolina where she earned a Masters of Fine Arts in Experimental and Documentary Arts from Duke University.

Website: https://www.tamikagalanis.com/