Expired July 26, 2021 6:00 AM
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A sunburn across the bridge of your nose. A warm belly on a cold rock. Do you remember what it was like to run so fast that you can hear your heart beating in your head? An examination of texture, the internal, and the floating bits on the tops of your eyes. These films showcase the idea of play, pain, and the memory of an outside world materially experienced, not unlike dairy cows experiencing grass for the first time in a year.


Sunning is considered a comfort behavior in many animals. A tactile experience of facing the sun to warm oneself raises body temperature and reduces heart rate. After a prolonged period of languid gestures, we need to bask to remember. This program showcases films that warm up our bodies, hearts, and minds slowly re-acclimatizing to the world from outside. Using light, animation, and emotional memories, these filmmakers explore the tangible possibilities of a world best experienced through touch.


This program presents the work of filmmakers and artists Anouk De Clercq and Tom Callemin, Elena Duque, Anu-Laura Tuttelberg, Timoteo Guillem, Josh Cloud, and Nazlı Dinçel.


Programmed by Jordan Wong & Sam Gurry.



By Anouk De Clercq & Tom Callemin

Video, B/W, 16:9, Stereo & 5.1, English, BE, 2017, 13’

A blind man reports on an eclipse, a light phenomenon that he perceives through senses that do not involve sight. He takes us by the hand and guides us through the dark, through this temporary event that transforms the world as we know it. In the midst of the darkness comes a presence, visible at the sudden fall of nighttime, til the sun inevitably rises again. True to tradition, the camera captures what temporarily passes us by. It is akin to trying to project the sun into our home in order to admire and capture the great cosmic movements. In this encounter between work by visual artists Anouk De Clercq and Tom Callemin, light and darkness also meet. Their respective worlds continually find themselves in the realm of the barely visible, in black-and-white, in the fascination with what light can reveal.


By Elena Duque

Spain, Super 8 and HD video, 2019

In Valdediós Gualterius built a monastery in the 13th Century. In Valdediós there is a wall, there is a horse, there is a road, there is the whole universe.

Winter in the Rainforest

By Anu-Laura Tuttelberg

Estonia, Lithuania, Mexico, 2019, 8’ 35”, 16mm

Shot in real nature, in the tropical rainforests of Mexico and Peru, this film captures the eternal dance of life and death as experienced by magical creatures of porcelain - animals, birds, insects and flowers - fragile and resilient at the same time. Time passes here in a strange way, moving at an unexpected pace. The unique combination of natural light, fast flowing time and subtle stop motion animation creates a unique poetic reality that makes us aware of the magic and materiality of our own living in this world.

Mudanza Contemporánea

By Timoteo Guillem

Spain, Digital, 2018, 19’ 40”

*Los Angeles Premiere

It’s hot in a ramshackle attic, full-blown fans stir the atmosphere generated by the “exercises” of a weird tenant who manipulates objects. He twists cardboard, builds object castles, admires them, talks to them, breaks them, dresses and dances with them. The ceremonies are repeated and mutated, the environments change and the objects multiply creating a kind of dissonant choreography built with remnants of amateur video. The plot gets more complicated when between those objects his memories appear and force him to fight in a duel of dances with his past.


By Josh Cloud

USA, Digital, 2019

*Los Angeles Premiere

Written, Fabricated, and Performed through Josh Cloud, Hybtap ( Have You Been To A Place ) is a visual poem depicting the ongoing search for self and an exploration into the intersection of sculpture, print, and animation.

Instructions on How to Make a Film

By Nazlı Dinçel

Canada/USA, Sound, B&W, 24fps, 16mm, 13”, 2018

Shot at the Film Farm in Mt.Forest, this comedy is a quest about performance, educational voiceover, analogue filmmaking, ASCII, language, ethics of ethnography and narrative storytelling under a metaphor of instructions to farm land. Text by Barbara Kirshenblatt-Gimblett and Wikihow/shoot-film.