Comprising artist performances, community videos, creative documentaries, archival films, and code-generated art, the latest Lost Frames selection is an attempt to redirect attention from the spectacle of conventional film and video practices to the critical approaches and alternative viewing practices that thrive on the margins. The programme considers the various ways that divisive issues can be rendered visually. Di/Visible Re/Public offers a lens through which to observe the current state of the Philippines in relation to its political history and divergent nature. In grappling with contemporary conditions, the featured works explore, inevitably, notions of private versus public and the self versus the state.