A resilient tiger widow from the world’s largest mangrove forest, the Sundarbans (Bangladesh), Shorbanu Khatun, grapples with the relentless impacts of climate change, struggling to provide for her children while preserving the endangered traditions of honey and Gol leaf collecting amidst a world of increasing storms, salinity, and societal ostracism.
Mohammad Rakibul Hasan and Fabeha Monir emerge as formidable forces, united by their shared commitment to humanitarian storytelling. Hasan, a Bangladeshi-born multifaceted practitioner, brings over two decades of experience in photography, filmmaking, and visual arts, capturing pressing human rights, social development, and environmental issues worldwide. His journey through prestigious institutions such as the International Center of Photography (ICP) in New York, Falmouth University in the UK, and Oxford University has shaped his profound understanding of visual narratives. Hasan's work, recognized by the Lucie Award, One World Media Awards, and over two hundred other accolades, has been a testament to his dedication to amplifying the voices of the marginalized.
Fabeha Monir, a distinguished visual journalist from Bangladesh, complements this narrative with her evocative storytelling through still imagery, text, and video. Her work, deeply rooted in humanism, explores social development, migration, gender violence, and forced exile, shedding light on the often-overlooked stories of marginalized communities. Educated at Ateneo de Manila University and the International Center of Photography, Monir's portfolio includes collaborations with global giants like The New York Times, The Guardian, and BBC News. Her innovative spirit has led her to co-create immersive narratives on the Rohingya refugee experience, further expanding her impact.
Together, Hasan and Fabeha have created a body of work that resonates globally, from the serene landscapes of Switzerland to the bustling streets of Dhaka. Their films and photographs, showcased in international festivals and exhibitions, offer a powerful lens on the human condition. Both filmmakers, with their roots in Bangladeshi culture, have not only documented crises but also brought to light stories of resilience, ensuring that the voices of those in need are heard on a global stage.
A resilient tiger widow from the world’s largest mangrove forest, the Sundarbans (Bangladesh), Shorbanu Khatun, grapples with the relentless impacts of climate change, struggling to provide for her children while preserving the endangered traditions of honey and Gol leaf collecting amidst a world of increasing storms, salinity, and societal ostracism.
Mohammad Rakibul Hasan and Fabeha Monir emerge as formidable forces, united by their shared commitment to humanitarian storytelling. Hasan, a Bangladeshi-born multifaceted practitioner, brings over two decades of experience in photography, filmmaking, and visual arts, capturing pressing human rights, social development, and environmental issues worldwide. His journey through prestigious institutions such as the International Center of Photography (ICP) in New York, Falmouth University in the UK, and Oxford University has shaped his profound understanding of visual narratives. Hasan's work, recognized by the Lucie Award, One World Media Awards, and over two hundred other accolades, has been a testament to his dedication to amplifying the voices of the marginalized.
Fabeha Monir, a distinguished visual journalist from Bangladesh, complements this narrative with her evocative storytelling through still imagery, text, and video. Her work, deeply rooted in humanism, explores social development, migration, gender violence, and forced exile, shedding light on the often-overlooked stories of marginalized communities. Educated at Ateneo de Manila University and the International Center of Photography, Monir's portfolio includes collaborations with global giants like The New York Times, The Guardian, and BBC News. Her innovative spirit has led her to co-create immersive narratives on the Rohingya refugee experience, further expanding her impact.
Together, Hasan and Fabeha have created a body of work that resonates globally, from the serene landscapes of Switzerland to the bustling streets of Dhaka. Their films and photographs, showcased in international festivals and exhibitions, offer a powerful lens on the human condition. Both filmmakers, with their roots in Bangladeshi culture, have not only documented crises but also brought to light stories of resilience, ensuring that the voices of those in need are heard on a global stage.