Over the last 15 years, Thai filmmaker Anocha Suwichakornpong has emerged as a singular voice in contemporary cinema for her fearless address of Thailand’s ongoing political turmoil and dazzlingly inventive approach to form. Her second feature, By the Time it Gets Dark, is a shape-shifting tour de force, built around the rippling effects of the 1976 Thammasat University massacre, in which a student protest was brutally quashed by Thai government and right-wing paramilitary forces. The film begins as the story of a film director researching the event. As her questions grow more probing, the film refracts into a series of interconnected narratives of love, activism, cinema, pop culture, and the ways the past reveals itself in the present. Born the year of the Thammasat massacre, Suwichakornpong has frequently pointed to the echoes between the events of the 1970s and Thailand’s climate of political suppression today. With By the Time It Gets Dark, she asks profound and unexpected questions about purpose and connection in the face of history’s roiling waves.

Anocha Suwichakorn­­­­pong is a filmmaker whose work is informed by the socio-political history of Thailand. Her films have been the subject of retrospectives at the Museum of the Moving Image, New York; TIFF Cinematheque, Toronto; Cinéma Moderne, Montreal; and Olhar de Cinema, Brazil. Suwichakornpong received her master of fine arts from Columbia University. In 2006, Suwichakornpong co-founded the production company Electric Eel. ­­­In 2017, she co-founded Purin Pictures, an initiative to support Southeast Asian cinema. Between 2018 and 2020, Suwichakornpong was a visiting lecturer at the Department of Art, Film, and Visual Studies at Harvard University. In 2019, Suwichakornpong was named a Prince Claus Laureate.