A speed ramp between quotidian rhythms and accelerating consumerism materializes in the endless mirror of lakes and rivers, the windshield of a city bus, and the ever-expanding physical infrastructure of cloud computing. Superimposing tradition and transformation, layers of space and time transmute water into data at the velocities of slow-growth lichen and break-neck scrolling.

A woman in Minneapolis reflects on becoming a new mom in the upheavals of 2020 through a seemingly banal object: cardboard. Combining stop motion animation with live action, this essay unpacks the messiness of everyday life through the desires both revealed and hidden when we open the box.

Nothing in Particular (Unboxing Video)

This film traces Arizona’s desert as it is reshaped into a hub for data centres and semiconductor manufacturing. Moving through altered waterways, the film exposes tensions between technoutopian visions and drought-stricken ecologies. Guided by offscreen voices and Tohono O’odham poet Ofelia Zepeda’s ‘Cloud Song’, ancestral knowledge counters the rise of industrial ‘cloud’ infrastructures.

Where Clouds Once Formed

At the Myrtle-Wyckoff intersection, transportation arteries and the community overlap and interact, connect and collide. Where are people going? And, what lies underneath all of the activity?

Intersection

As the call to prayer echoes throughout the village, a cold January day becomes a meditation on tradition and transformation high in Bulgaria's Rhodope mountains.

The Day Is Not Lost

An experimental documentary created with handmade and manufactured emulsions exploring the close and enduring connections between Inuit, caribou, lichens, and land use. Lichen developers help bring the images to life, while caribou hide is processed into gelatin to make handmade emulsion. Filmed primarily on the land in Nunavut where caribou struggle to maintain their lifeways amidst burn events, habitat disruption and changing conditions.

Tuktuit : Caribou

From mouth to cave to fire to screen to war to skin, this is a dizzying 16mm portrait of an increasingly chaotic present, one whose political contours are affected by everything and nothing all at once. In the words of Zadie Smith: Time is not what it is / But how it is felt

Another Earth

A speed ramp between quotidian rhythms and accelerating consumerism materializes in the endless mirror of lakes and rivers, the windshield of a city bus, and the ever-expanding physical infrastructure of cloud computing. Superimposing tradition and transformation, layers of space and time transmute water into data at the velocities of slow-growth lichen and break-neck scrolling.

Self-Driving (And Other Romances) - Q&A

Self-Driving (And Other Romances)

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