In Littleness – Cherlyn Hsing-hsin Liu (Santa Clarita, California)The film was shot on a regular 8mm camera and is presented in unslit form as 16mm, a screening format commonly referred to as double 8mm. When I first came into contact with this medium, I was deeply attracted by its miniature size. Eight millimeters is a very small space on which to store images. It reminds me of all kinds of things from childhood: ephemeral, wonderful, changeable. Recalling that as a child I spent most of my time with my nanny, I decided to zoom in on daily life, especially trivial household chores. At the same time, the particles and dust of the childhood world are magnified. During the filming process, I remembered a question asked by Stan Brakhage: When a film is projected, how many frames does an image need in order to make an impression on human vision? In In Littleness, we are asked to watch four images at a time. Each screen only lasts for a moment. The waves of oncoming impressions submerge the viewer in an open and chaotic world, in which a noisy childhood experience is faintly drawn. The memories included in the film are not just from my childhood, but also from childhood memories of people close to me. In the end, what In Littleness treasures the texture of childhoods, overlapping and collective. 2022; 8 min.

In Littleness

The film was shot on a regular 8mm camera and is presented in unslit form as 16mm, a screening format commonly referred to as double 8mm. When I first came into contact with this medium, I was deeply attracted by its miniature size. Eight millimeters is a very small space on which to store images. It reminds me of all kinds of things from childhood: ephemeral, wonderful, changeable.

Song of a Dying Summer – Kohei Sengen (Tokyo, Japan)Natsu, together with his best friends, is trying to put on a stage play to commemorate their last summer together. Shot entirely with 8mm film. In Japanese, subtitled. 2022; 71 min.

Song of a Dying Summer

Natsu, together with his best friends, is trying to put on a stage play to commemorate their last summer together. Shot entirely with 8mm film.

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The 2022 New Jersey Interntaional Film Festival All Access Festival Pass gives you admission to all the Festival Screenings for one low price.

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The 41st Bi-Annual Festival will be taking place on select Fridays, Saturdays, and Sundays between September 9-October 16. The Festival will be a hybrid one as we will be presenting it online as well as doing select in-person screenings at Rutgers University. All the films will be available virtually via Video on Demand for 24 hours on their show date. Each ticket or Festival Pass purchased is good for both the virtual and the in-person screenings. The in-person screenings will be held in Voorhees Hall #105/Rutgers University, 71 Hamilton Street, New Brunswick, NJ beginning at 7PM on their show date.  Tickets: $15=Per Program; Festival All Access Pass=$100. To buy tickets for individual programs click on the photos below and click on the pre-order buttons.

Welcome to the New Jersey Film Festival Fall 2022! The 41st Bi-Annual Festival, which will be taking place on select Fridays, Saturdays, and Sundays between 9/9-10/16, will be a hybrid as we will be presenting the Festival online as well as doing select live screenings.

Here's what's coming up soon. Can't make it? No sweat. Many live streams will be available for on-demand viewing as well.