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This page is to obtain access to the broadcast of this Sands Films Cinema Club presentation
This screening is made in collaboration with North London Cuba Solidarity Campaign
Representative of the Cuban Embassy will attend and answer questions.
Cuba: Technological Disobedience
From Aljazeera (2026)
In US-blockaded Cuba, ingenious mechanics and inventors revive old machines in order to survive during a time of scarcity.
When the Soviet Union collapsed in 1991, Cuba was plunged into crisis. Fuel, food and spare parts vanished almost overnight. This character-led documentary shows how common Cubans refused to give up – and instead built a new culture of radical repair. From Havana’s Malecon to small-town back yards, it follows mechanics, street vendors and a teacher-turned-inventor who live by one rule: “invent and resolve”.
A pristine US Plymouth Fury convertible of the 1950s hides a Soviet engine, Japanese gearbox and handmade parts; washing machines become coconut graters, solar dryers and tools for urban farms. Cuban historians and designer Ernesto Oroza reveal the philosophy behind this “technical disobedience”, treating every object as raw material to hack and extend. Far from nostalgia, the film offers a stark snapshot of a future in which resources are scarce and the power to repair may be our most important tool.
This page is to obtain access to the broadcast of this Sands Films Cinema Club presentation
This screening is made in collaboration with North London Cuba Solidarity Campaign
Representative of the Cuban Embassy will attend and answer questions.
Cuba: Technological Disobedience
From Aljazeera (2026)
In US-blockaded Cuba, ingenious mechanics and inventors revive old machines in order to survive during a time of scarcity.
When the Soviet Union collapsed in 1991, Cuba was plunged into crisis. Fuel, food and spare parts vanished almost overnight. This character-led documentary shows how common Cubans refused to give up – and instead built a new culture of radical repair. From Havana’s Malecon to small-town back yards, it follows mechanics, street vendors and a teacher-turned-inventor who live by one rule: “invent and resolve”.
A pristine US Plymouth Fury convertible of the 1950s hides a Soviet engine, Japanese gearbox and handmade parts; washing machines become coconut graters, solar dryers and tools for urban farms. Cuban historians and designer Ernesto Oroza reveal the philosophy behind this “technical disobedience”, treating every object as raw material to hack and extend. Far from nostalgia, the film offers a stark snapshot of a future in which resources are scarce and the power to repair may be our most important tool.