In his feature debut, Orçun Behram uses the tools of genre cinema to create a parable about disturbing trends in the real world. In a gray, dystopian Turkey, the government has created a sinister new communications system to broadcast midnight messages to the populace via antennas mounted on the roofs of apartment buildings. On installation day in one such building, the installer mysteriously falls to his death, and a disgusting black sludge begins oozing through the walls. Even more horrors await as the residents sit in their apartments, awaiting preparing for the mandatory broadcast. “Loaded with striking visual touches,” writes Stephen Dalton in the Hollywood Reporter, “this atmospheric nerve-jangler tips its hat to David Lynch's gothic surrealism and David Cronenberg's squirmy body horror, with pleasing detours into Dario Argento-style lurid giallo mania, too.”