"T-T" is a profound bodily expression of "destruction and rebirth." On the boundless ruins after war, a flower symbolizing life and hope slowly grows amidst the ashes. It strives to bloom, only to vanish, shatter, and disappear again amidst the ensuing flames of war and humanity's endless desires. When AI technology causes the delicate petals to disintegrate like tears of blood in the shockwave, the sense of destruction, defying the laws of physics, strikes a chord deep within the heart. This is not merely a cross-dimensional dialogue between dance art and generative AI, but also a heartfelt philosophical call: how beautiful, yet how fragile, life is amidst war; may the smoke of battle dissipate, and may the world find peace.

After getting out of an abusive relationship, Rebecca throws a house party to prove she’s just like every other 22-year-old. Her party takes an unexpected turn when an unwanted guest crashes, and turns the party against the host

"Split Focus" is a captivating dance film that delves into the intricate relationship between self-perception and external projection. Through mesmerizing shadow play, the film explores images of spirit and internal feelings versus outward appearances, prompting viewers to question which aspect demands more attention— the dancer herself or her shadow. Visually poetic, it offers a compelling examination of how we project ourselves into the world and the duality of inner and outer identities.

An experimental, butoh-inspired dance film which explores feminine rage as a transformative force. Where a woman’s pain & fury reshape her into the “monster” society claims to fear.

In a minimalist dreamscape, a woman navigates a complex tug of war with a tuxedoed apparition, drawing ever closer to a fated confrontation and a question of her own identity. Shot on location at Williamsburg Biannual, and directed by Derrick Belcham and Daisy Jacobson, What Is The Dark For features Pomme Koch and Ms. Jacobson in one of her own choreographies, weaving through an exhaustive collection of the building's concrete structures, designed by Jorge A. Zapata. The piece features two compositions by Matthew J. Sage, and an archival recording of Gene Austin's, "Everything's Made For Love", from which it takes its name. The piece was shot by Derrick Belcham, and edited by Belcham and Jacobson.

In the vineyards of Northern Italy, at harvest time, cultures clash, and a wine commercial shoot goes astray, until dance, music, comedy — and the magic of a harlequin — intervene.