X is a white transgender actor who struggles with what it means to be seen as a representation of transgender identity on screen and interpersonally as the beloved outsider to his queer community of amateur-bowling lesbians who meet as The Lavender League. When the captain of the Lavender League, Susan, asks X to speak at her funeral, X finds himself thrown into a time of intense grief and desire. At the funeral, an unexpected and handsome stranger arrives. No one recognizes him. This is Alex, Susan’s estranged transgender son.
Alex and X inherit Susan’s hand-drawn map of her desired location for her ashes and lead their community through a hot and slow march across the desert. When the mourning party arrives, they discover that there’s nothing there. On their journey, X and Alex are joined by Arnie (Susan’s widow), who dons her dead lover’s wig, Gio (Arnie’s son and X’s confidante), who is a queer Tamil-Sri Lankan-American butcher, and Joyce (Susan’s best friend), who is a Black body-positive gym dominatrix, to make their way through the fragmented and dream-like fugue state that follows Susan’s death.
X is a white transgender actor who struggles with what it means to be seen as a representation of transgender identity on screen and interpersonally as the beloved outsider to his queer community of amateur-bowling lesbians who meet as The Lavender League. When the captain of the Lavender League, Susan, asks X to speak at her funeral, X finds himself thrown into a time of intense grief and desire. At the funeral, an unexpected and handsome stranger arrives. No one recognizes him. This is Alex, Susan’s estranged transgender son.
Alex and X inherit Susan’s hand-drawn map of her desired location for her ashes and lead their community through a hot and slow march across the desert. When the mourning party arrives, they discover that there’s nothing there. On their journey, X and Alex are joined by Arnie (Susan’s widow), who dons her dead lover’s wig, Gio (Arnie’s son and X’s confidante), who is a queer Tamil-Sri Lankan-American butcher, and Joyce (Susan’s best friend), who is a Black body-positive gym dominatrix, to make their way through the fragmented and dream-like fugue state that follows Susan’s death.