This challenging, polarizing, partially crowdfunded $25,000 micro-budget feature film directorial debut by The Thornton Brothers (shot almost exclusively on iPhones in their own basement with a cast of two and crew of zero) may be a found footage horror film treatise on viral hate and the complicity of social media, but it is also a labor of love that took almost five years to make—and in doing so has just grown more and more relevant and terrifying given the current state of the country and world in terms of racial injustice, tribalism, xenophobia, misogyny, political partisanship, and the violence associated with “othering” and domestic terrorist hate movements.