Carrie Hawks believes in the magic of animation. There are stories that cannot be filmed in real-time with the camera, stories we don’t understand until days, years after they happen and are passed through generations. The artists in this program peer into layers of consciousness, create portraits without faces, detail the ways white supremacy attempts to oppress internally and externally, celebrate resistance to colonial forces, and present the tenderness of a personal archive (aka the voicemail). An escape from terror encapsulated via stop-motion puppetry. You’re invited to enjoy this experimental animation program of films crafted by people of the global majority, BIPOC folks. Curated by Carrie Hawks.
Carrie Hawks confronts self-imposed and external assumptions about identity in order to promote healing, particularly in relation to Blackness, gender, and queer sexuality. They work in animation, drawing, collage, sculpture, and performance, often incorporating humor. Their film black enuf* was nominated for a New York Emmy, won Best Documentary Short at Trans Stellar Film Festival, was broadcast on American Public Television’s World Channel in 2019, and screened at over 40 festivals including Ann Arbor and BlackStar.
Join us after the program for a prerecorded Q&A with the filmmakers.
Presented with support from Deb Greer
My Puerto Rican grandfather has left me a ton of hilariously unanswered voicemails on my cell phone. I combined these authentic calls with 3D modeled/printed/hand-painted miniatures of him, in this short film that inspired the web-series, Gran’pa Knows Best!
- Year2015
- Runtime4 minutes
- CountryUnited States
- NoteLos Angeles, California
- FilmmakerWilliam Caballero
Carrie Hawks believes in the magic of animation. There are stories that cannot be filmed in real-time with the camera, stories we don’t understand until days, years after they happen and are passed through generations. The artists in this program peer into layers of consciousness, create portraits without faces, detail the ways white supremacy attempts to oppress internally and externally, celebrate resistance to colonial forces, and present the tenderness of a personal archive (aka the voicemail). An escape from terror encapsulated via stop-motion puppetry. You’re invited to enjoy this experimental animation program of films crafted by people of the global majority, BIPOC folks. Curated by Carrie Hawks.
Carrie Hawks confronts self-imposed and external assumptions about identity in order to promote healing, particularly in relation to Blackness, gender, and queer sexuality. They work in animation, drawing, collage, sculpture, and performance, often incorporating humor. Their film black enuf* was nominated for a New York Emmy, won Best Documentary Short at Trans Stellar Film Festival, was broadcast on American Public Television’s World Channel in 2019, and screened at over 40 festivals including Ann Arbor and BlackStar.
Join us after the program for a prerecorded Q&A with the filmmakers.
Presented with support from Deb Greer
My Puerto Rican grandfather has left me a ton of hilariously unanswered voicemails on my cell phone. I combined these authentic calls with 3D modeled/printed/hand-painted miniatures of him, in this short film that inspired the web-series, Gran’pa Knows Best!
- Year2015
- Runtime4 minutes
- CountryUnited States
- NoteLos Angeles, California
- FilmmakerWilliam Caballero