What if one language just isn’t enough? Featuring her acclaimed works at the 2019 Whitney Biennial, rising young artist Meriem Bennani chronicles a recent set of ambitious video installation works, unpacking her uniquely humorous and political mix of digital animation, documentary footage, and interactive sculpture. Originally from Morocco, New York City-based Bennani explains how “being here for ten years and being English [as a] second language, and feeling like I’m losing a little bit of my first language…I’ve found that developing this practice that pulls from so many different languages of TV, cinema, sculpture and installation, mixing it all together has allowed me to hit the right note, in my own way.”