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8 films in package
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A World Apart Within 15 Minutes
Between Jerusalem and Ramallah not only is there now a huge existing wall on the ground, but also a non-tangible wall in the minds and hearts of people. It is a short drive from here to there, yet when asked whether they know the way to Ramallah, many find it a hard question to answer. To them, Ramallah sounds far, seems far--it's a world apart within 15 minutes.
Going for a Ride?
Documenting the Art Installation “Going for a Ride?” made by the Palestinian Artist Vera Tamari. The installation is a statement on the aggressive and deliberate crushing of hundreds of privately-owned cars by Israeli tanks in Ramallah and El-Bireh during the military incursions in the two towns in 2002. It focuses on crushed cars because of the powerful meaning cars usually carry: freedom, the open road, travel and movement. In the film, the cars are brought to life again by searching into the memories of those who rode them.
Pasolini Pa* Palestine
In 1963, Pasolini visited Palestine to search for locations for his film, the Gospel according to Matthew. Pasoline Pa* Palestine seeks to revive various relations to Pasolini's trip and film through a repetition of his journey.
Sound of the Street
This witty satire draws a humorous comparison between a busy collection of ants and the liveliness of a Palestinian street. (Sound of the Street is one of 13 short films from the “Palestine, Summer 2006” collection, produced by the Palestinian Filmmakers' Collective.)
Not Just Any Sea
Last summer I was able to steal some moments near the sea which I have memories of from my childhood. I was there the only way I could be, illegally, without a permit.
Happy Days
Happy Days is a video that exposes everyday Palestinian life under Israeli occupation. In the video, a collage of footage shot on location in the occupied territories is accompanied by the theme music from the seventies sitcom “Happy Days”.
Ayreen Anastas and Nahed Awwad in Conversation with Kay Dickinson
Closed captions available

The Second Intifada heralded a particularly fresh, urgent and experimental approach to filmmaking, in tune with the uprisings to which they contributed. Working at a distance from both the main political organizations and, often, the aesthetic insistences of Global Northern art cinema funding, filmmakers took advantage of accessible technologies to forge new notions of freedom. The prolific body of work from this period does not just defiantly catalogue heightened colonial aggressions and appropriations, it does so with a wit and eclecticism of approach that touched diverse audiences at home and internationally. 


Featuring works by Ayreen Anastas, Nahed Awwad, Enas I. Al-Muthaffar, Annemarie Jacir, and Larissa Sansour


Curated by Kay Dickinson 

A World Apart Within 15 Minutes (2006)


Between Jerusalem and Ramallah not only is there now a huge existing wall on the ground, but also a non-tangible wall in the minds and hearts of people. It is a short drive from here to there, yet when asked whether they know the way to Ramallah, many find it a hard question to answer. To them, Ramallah sounds far, seems far--it's a world apart within 15 minutes.



Enas I. Al-Muthaffar was born and raised in Jerusalem. She has a BA in film directing from the Academy of Arts in Cairo, Egypt, and an MA in media and communications from Goldsmiths College, University of London. For nearly 20 years, she has worked on numerous Palestinian and international film productions, in addition to writing, directing, and producing a number of short and feature-length films that have participated in several international film festivals. Throughout her career, Enas has also served as a news producer for major international media outlets and a freelance communications consultant and adviser.

  • Year
    2006
  • Runtime
    3 minutes
  • Country
    Palestine
  • Director
    Enas I. Al-Muthaffar
  • Producer
    Palestinian Filmmakers Collective & Akka Films
  • Cast
    Annemarie Jacir
  • Editor
    Annemarie Jacir