Within a spiritual community in the Himalayas of Nepal, a group of women exist in tune with the rhythms of their surroundings. Tasked with praying for deceased humans and animals, the ani hold a shared dedication to the manifestation of peace and wellbeing–a tradition that has lasted through generations of women through feminine oral history and cultural practices.

Before his death in 1932, a monk created his own camera in one of the most isolated places in the world. Nearly a century later, a filmmaker discovers and reconstructs the 3000 preserved photographic plates, blending them with his own evocative Super 8, crafting a cinematic pilgrimage, where the past interlaces seamlessly with the present, in a spellbinding visual narrative that defies the constraints of time itself.

A young woman taxidermies roadkill in order to restore dignity to their lives.

A woman returns home to remember and rediscover herself and picks up a camera and films for the first time. The portrait of her mother and grandmother becomes her own portrait as well. Through them, she reconciles with the place and her memories.