
** Co-presented with the Romanian Film Festival Seattle, curated by American Romanian Cultural Society **
How far down do we have to dig before we hit bedrock? What happens if, somewhere between the crust and core, we encounter ourselves? Sift through these video poems and you may unearth the crumbling foundations of a society, or the living artifacts of a familiar culture. This screening exhumes that which we’ve buried. Its title is extracted from Natachi Mez’s new video poem generated during her time as a Cadence artist-in-residence.
Through a monologue spoken backwards, the video deals with discriminatory depictions of women, past and present. In a river scene resembling J. E. Millais‘ famous painting of Shakespeare’s dying character Ophelia, the filmmaker appears. She speaks constantly into the camera. Her speech remains abstract until the video plays backwards and elicits the words in their original order, revealing a statement about the complex entanglements of language, image and social roles. On different levels the video moves forwards and backwards in time.
- Year2020
- Runtime8 minutes
- Languagewarped English, with no subtitles or captions
- CountryGermany
- NotePoet: Meike Redeker
- DirectorMeike Redeker
- ProducerMeike Redeker
** Co-presented with the Romanian Film Festival Seattle, curated by American Romanian Cultural Society **
How far down do we have to dig before we hit bedrock? What happens if, somewhere between the crust and core, we encounter ourselves? Sift through these video poems and you may unearth the crumbling foundations of a society, or the living artifacts of a familiar culture. This screening exhumes that which we’ve buried. Its title is extracted from Natachi Mez’s new video poem generated during her time as a Cadence artist-in-residence.
Through a monologue spoken backwards, the video deals with discriminatory depictions of women, past and present. In a river scene resembling J. E. Millais‘ famous painting of Shakespeare’s dying character Ophelia, the filmmaker appears. She speaks constantly into the camera. Her speech remains abstract until the video plays backwards and elicits the words in their original order, revealing a statement about the complex entanglements of language, image and social roles. On different levels the video moves forwards and backwards in time.
- Year2020
- Runtime8 minutes
- Languagewarped English, with no subtitles or captions
- CountryGermany
- NotePoet: Meike Redeker
- DirectorMeike Redeker
- ProducerMeike Redeker