INTRODUCING CIFF LOVE LETTERS: Valentines day has come early! We’ve thought a lot this year about how we can build connections between audience members and filmmakers within a virtual space. One of the hardest things about this year for filmmakers, is that they have not been able to forge spontaneous connections with audiences and hear from them directly. If you’ve seen a film you have loved, click HERE to write a love letter to a filmmaker!
Charging scenes of the present with dystopian speculation, Field Resistance teases the boundaries between documentary and science fiction to investigate overlooked environmental devastation in the flyover state of Iowa. Observational documentary-style footage collected from disparate locations – a university herbarium, karst sinkholes inhabited by primordial flora and fauna, a telecommunication tower job-site, among others – is used to evoke a fictional, dystopian narrative of plant ascension and humanity’s retreat. Rejecting the human individual as the focus of narrative cinema, the film adopts the perspective of a symbiotic “implosive whole” in which humans and nonhumans are related in an overlapping, non-total way.
- Year2019
- Runtime16 minutes
- LanguageEnglish
- CountryUnited States
- DirectorEmily Drummer
- ProducerEmily Drummer
INTRODUCING CIFF LOVE LETTERS: Valentines day has come early! We’ve thought a lot this year about how we can build connections between audience members and filmmakers within a virtual space. One of the hardest things about this year for filmmakers, is that they have not been able to forge spontaneous connections with audiences and hear from them directly. If you’ve seen a film you have loved, click HERE to write a love letter to a filmmaker!
Charging scenes of the present with dystopian speculation, Field Resistance teases the boundaries between documentary and science fiction to investigate overlooked environmental devastation in the flyover state of Iowa. Observational documentary-style footage collected from disparate locations – a university herbarium, karst sinkholes inhabited by primordial flora and fauna, a telecommunication tower job-site, among others – is used to evoke a fictional, dystopian narrative of plant ascension and humanity’s retreat. Rejecting the human individual as the focus of narrative cinema, the film adopts the perspective of a symbiotic “implosive whole” in which humans and nonhumans are related in an overlapping, non-total way.
- Year2019
- Runtime16 minutes
- LanguageEnglish
- CountryUnited States
- DirectorEmily Drummer
- ProducerEmily Drummer