INTRODUCING CIFF LOVE LETTERS: Valentines day has come early! We’ve thought a lot this year about how we can build connections between audience members and filmmakers within a virtual space. One of the hardest things about this year for filmmakers, is that they have not been able to forge spontaneous connections with audiences and hear from them directly. If you’ve seen a film you have loved, click HERE to write a love letter to a filmmaker!
A collection of Short Films that are showing elsewhere in the program as Feature Film pairings.
Night, like mourning, remakes space through absence: forms at the threshold of perception heighten sound and touch. When someone dies there is a pull towards the concrete and tangible, but disbelief creates a world of unreliable objects.
Figure Minus Fact draws and redraws coordinates between spaces, senses, and objects, groping in the dark, desiring to see something that’s not there. Spaces become evidentiary yet deceptive in a subjectless portrait of loss.
- Year2020
- Runtime13 minutes
- LanguageEnglish
- CountryUnited States
- PremiereNew England Premiere
- DirectorMary Helena Clark
- ProducerMary Helena Clark
- CinematographerMary Helena Clark
- EditorMary Helena Clark
INTRODUCING CIFF LOVE LETTERS: Valentines day has come early! We’ve thought a lot this year about how we can build connections between audience members and filmmakers within a virtual space. One of the hardest things about this year for filmmakers, is that they have not been able to forge spontaneous connections with audiences and hear from them directly. If you’ve seen a film you have loved, click HERE to write a love letter to a filmmaker!
A collection of Short Films that are showing elsewhere in the program as Feature Film pairings.
Night, like mourning, remakes space through absence: forms at the threshold of perception heighten sound and touch. When someone dies there is a pull towards the concrete and tangible, but disbelief creates a world of unreliable objects.
Figure Minus Fact draws and redraws coordinates between spaces, senses, and objects, groping in the dark, desiring to see something that’s not there. Spaces become evidentiary yet deceptive in a subjectless portrait of loss.
- Year2020
- Runtime13 minutes
- LanguageEnglish
- CountryUnited States
- PremiereNew England Premiere
- DirectorMary Helena Clark
- ProducerMary Helena Clark
- CinematographerMary Helena Clark
- EditorMary Helena Clark