這部由阿根廷導演利斯托蒂執導的作品結構豐富複雜，把1950年至今的一段平行電影史娓娓道來。這段時期的阿根廷留下了不少未完成的電影，導演從布宜諾斯艾利斯一家電影博物館的檔案中尋得它們的殘缺片段並加以重組，探索個人、大眾和集體的回憶和歷史學，如何透過電影媒介被翻譯、保存和轉化。其鏡頭組合漫無邊際，運用了倒數片頭、菲林上的痕跡，以及被剪掉的聲音段落等引人遐思的元素。《拍不完的電影》歌頌菲林電影製作的獨特質感，拼湊出阿根廷獨裁時期的記憶，令人想起那些一再被抹去的歷史。

The Endless Film, a multi-layered work by Argentine filmmaker Leandro Listorti, inspires a living, parallel history of cinema from the 1950s to the present. Assembled in the archives of a film museum in Buenos Aires, this work recomposes fragments from unfinished Argentine films to explore how private, public, and collective memories and historiographies have been translated, preserved, and transformed through the cinematic medium. With its meandering sequences and use of evocative elements such as countdown leaders, film print artefacts, and audio outtakes, The Endless Film celebrates the materiality of filmmaking. It is a thoughtful invocation of the ghosts of Argentina's dictatorial past and its recurring histories of erasure.