Our Times Ad Intro

Welcome to a world where work is not the focus nor measure of one’s life. In this alternate reality society that plays by slightly different rules, nothing goes as planned for Emilie. After numerous unsuccessful interviews, the lively but clumsy young woman finds herself under a great deal of social pressure and fears losing her home. Naturally she has high hopes when she is called in for another interview, but is this the opportunity she thinks it is? CONTAINS BRIEF NUDITY Subtitled in ENGLISH

A World Free of Crisis

In this alternate reality society that plays by slightly different rules, nothing goes as planned for Emilie. Is this the opportunity she thinks it is?

An intimate film showing the life of a migrant worker in their homeland of Guatemala. Farm worker Pablo Nimamac has worked five to seven months a year on a vegetable farm in Quebec since 2008. The rest of the year, he runs his family’s strawberry farm in Guatemala, which he has been able to expand with the fruits of his labour abroad. Proud of his Mayan Kaqchikel origins, Pablo welcomes us to his home, introduces us to the family he leaves behind year after year and tells us what it means for him to share his life between Guatemala and Canada. Subtitled in ENGLISH

Nu Ulew (My homeland)

An intimate film showing the life of a migrant worker in their homeland of Guatemala.

“If I wasn’t an opera singer, would I be a trans man?” asks Teiya Kasahara, a gender non-binary singer, partway through the film. It’s a dilemma facing gender non-binary and trans singers working in a field whose roles are rigidly defined along gender lines: sopranos and mezzos are cast as women (so-called “trouser roles” aside); tenors and basses as men. Teiya Kasahara (they/them) leads a new generation of trans* opera performers, activists and self-proclaimed “shit-disturbers” making their voices heard–whether the classical music world likes it or not.

OPERA TRANS*FORMED: Teiya Kasahara

Teiya Kasahara (they/them) leads a new generation of trans* opera performers, activists and self-proclaimed “shit-disturbers” making their voices heard–whether the classical music world likes it or not.

Quebec

Syndicat Associatif des Travailleuses et Travailleurs du Québec, Quebec

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