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A young woman discovers the working class history of her neighbourhood through the lens of a 1965 Canon Scoopic 16mm camera and historical figures via Boston’s public art. She begins an important conversation that needs to continue in the labour movement given the overwhelming right wing ideology and misinformation being spread targeting working class folks. The film title comes from an 1857 Frederick Douglass speech: “If there is no struggle, there is no progress. Those who profess to favor freedom, and yet depreciate agitation, are men who want crops without plowing up the ground. They want rain without thunder and lightning. They want the ocean without the awful roar of its many waters. This struggle may be a moral one; or it may be a physical one; or it may be both moral and physical; but it must be a struggle. Power concedes nothing without a demand. It never did and it never will.”

If There Is No Struggle

A young photographer sets out to map Black intellectuals and activism in the United States.

“If I wasn’t an opera singer, would I be a trans man?” asks Teiya Kasahara, a gender non-binary singer, partway through the film. It’s a dilemma facing gender non-binary and trans singers working in a field whose roles are rigidly defined along gender lines: sopranos and mezzos are cast as women (so-called “trouser roles” aside); tenors and basses as men. Teiya Kasahara (they/them) leads a new generation of trans* opera performers, activists and self-proclaimed “shit-disturbers” making their voices heard–whether the classical music world likes it or not.

OPERA TRANS*FORMED: Teiya Kasahara

Teiya Kasahara (they/them) leads a new generation of trans* opera performers, activists and self-proclaimed “shit-disturbers” making their voices heard–whether the classical music world likes it or not.

This film tells the story of three Indonesian women redefining their destinies. SUTRINGAH, is the wife of a palm sugar tapper and faces economic hardship when her husband is paralyzed due to a workplace accident. Sutringah reevaluates her role as a woman, a wife and a breadwinner. YATI, a woman with a disability, worked all her life for her family’s business. Her idealism conflicts with her father’s traditional views of the business. She tries forging her own path by taking a job at a garment factory where new limits are imposed on her. MARIA, is a member of a group of widows who work as traditional weavers. When they become competitive with male dominated retailers, they are forced to redefine their work by passing along the weaving tradition to their local youth. Subtitled in ENGLISH

Sugar on the Weaver's Chair

A story of three Indonesian women redefining their destinies.

Dinah Sam is an artist from the Cree community of Chisasibi in the James Bay region of Quebec. She is passionate about her Cree traditions and her art. This is her first film and is about the importance of Cree culture in an ever-changing world. The film focuses on Cree elders making snowshoes and describing their work. Subtitled in ENGLISH

The Hands of an Elder

In this filmmaker's debut film, Dinah Sam focuses on the importance of Cree culture in an ever-changing world.

This fictional film follows Alberto as he navigates a world not set-up to accommodate him. He undertakes his day-to-day with much effort, and is often met with discomfort, annoyance, and sometimes hostility. This film portrays a fictionalization of living and working with a functional disability. It’s charming and effective in communicating daily struggles of workers who face barriers to full workplace participation. It’s also a reminder that anyone could have an “umbrella.” Film is subtitled in ENGLISH

The Umbrella

Alberto navigates the world with much effort. He often encounters discomfort, annoyance, and sometimes hostility in his workplace due to his unusual need for accommodation.

In the tradition of direct cinema,&nbsp;What Will I Show You&nbsp;is an intimate documentary in which a grandfather and his grandson discuss the past and future of Innu culture. An important, first-person film telling the stories of Innu and their culture, their work, and the immediate impacts of environmental degradation on their lands. Themes of Indigenous learning, work and way of life. From the Innu nation and residing in the Tiohtià:ke territory since 2006, Elie-John Joseph has been passionate about cinema since a young age. Self-taught, he has been practising film photography for several years.

What will I show you?

An intimate documentary in which a grandfather and his grandson discuss the past and future of Innu culture.

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