Lex is a depressed artist in a creative drought when Dahlia, an alien in human form, unexpectedly lands in Lake Michigan one morning. The two form an unlikely bond as Dahlia becomes Lex’s muse, helping her overcome her artistic block and develop a renewed sense of joy. However, Dahlia’s fascination with artists takes a sinister turn as she reveals her plans to abduct them and take them back to her home planet, where their species is incapable of artistic expression.

Director Biography

Drew is a first-generation American filmmaker, actor, and writer of Jamaican and British descent. She creates character-driven narratives inspired by speculative sci-fi and magical realism, exploring identity and intersectionality through grounded relationships and imaginative worlds. A published author and produced playwright, Drew studied theatre (acting) and broadcast journalism at the University of Florida.

She has been professionally acting in theatre/tv/film for over 10 years. The Last Agent is her first film.

Director Statement

The Last Agent was born from my personal struggles as a working artist, the persistent ache of devoting yourself to a dream that doesn't always give back. It's a reflection on the unpredictable nature of a creative life, but also a love letter to artists, strivers, and anyone who's ever wondered if the path they've chosen is still worth walking.

At its core, this film is about connection, rediscovery, and the simple joys of being human. I wanted to highlight how a hot shower can feel transcendent, how there is beauty all around us when we take the time to look for it, and how good it feels to move your body to music and spend time with people who make you feel alive. But it is also a “monster in the house film” in disguise. I pose a question at the end of the film, "Would you have stayed or gone with Dahlia?" I want to start a conversation about burnout, the pursuit of happiness, and the invisible cost of survival in a world that often undervalues creative work.

Visually, we leaned into a shifting aspect ratio to reflect the protagonist's internal journey. The 4:3 frame fosters intimacy, bringing audiences closer to our characters. When the frame expands to 16:9, it

represents how the artist’s world expands through the lens of their camera. Breaking the fourth wall was another way of dissolving distance, I wanted audiences to feel seen by the characters. The long takes, inspired by Kore-eda's patient, observational style, allow Dahlia and Lex's relationship to unfold naturally and breathe.

This was a micro-budget film, shot in three days, with all indoor scenes filmed in my apartment. It came together through the dedication, generosity, and artistic tenacity of a remarkable team of Chicago creatives. It was a labor of love—raw, collaborative, and made with deep care.

My hope is that The Last Agent reminds audiences to find beauty in the everyday—and makes them sit with the unsettling realization that alien abduction might actually sound pretty good right now.

Link to official press kit.