These three films form a collection examining the contours of the Haitian diaspora, made in collaboration with its subjects and with a firm command of filmmaker Esery Mondesir’s own speaking position as a Port-au-Prince-born, Toronto-based member of this same diaspora. The first, Una Sola Sangre (2018), Mondesir’s thesis film for York’s MFA program, is the most recognizable as a gregarious and warm portrait of a family in Cuba. The next two films follow the route of South and Central American migrants to desired North American destinations to Mexico, where the subjects of Pariah, my brother, I follow you, show me the route to the springs (2020) and What Happens to a Dream Deferred? (2020) wait for a chance to enter the US. The myriad of ways Mondesir contends with migration are visible even in the film grain—created by transferring the footage (shot on the formerly ubiquitous Canon 5D) to 35mm and then re-digitizing for exhibition. Whether a Vodou ceremony, a New Year’s Eve cookout, or the daily routines of a father-son pair of street vendors, Mondesir’s camera is patient, intimate, and revealing of his own relationship with the families as someone who has made it even further north but still shares potent cultural touchstones and experiences.