A sidelong glance, a repeated image, a brief fragment, an obscure reference, a finger in the frame. Filmmakers use these and other gestural strategies in their haunting films.
** All film programs during Engauge 2021 include a virtual filmmaker Q&A that is free to view through the festival’s Vimeo page. Whether you experience the festival in person or at home, check in afterwards to hear from the filmmakers! **
In Japanese, 間(MA) is best described as a consciousness of interval/space, not in the sense of an enclosed three-dimensional entity, but rather the awareness of form and non-form deriving from an intensification of senses.
This is a digitally edited version of materials originally prepared for the performance "Cine間(MA)-absence triggered by a third body".
- Year2020
- Runtime7 minutes
- Languagen/a
- CountryBrazil
- DirectorTetsuya Maruyama
A sidelong glance, a repeated image, a brief fragment, an obscure reference, a finger in the frame. Filmmakers use these and other gestural strategies in their haunting films.
** All film programs during Engauge 2021 include a virtual filmmaker Q&A that is free to view through the festival’s Vimeo page. Whether you experience the festival in person or at home, check in afterwards to hear from the filmmakers! **
In Japanese, 間(MA) is best described as a consciousness of interval/space, not in the sense of an enclosed three-dimensional entity, but rather the awareness of form and non-form deriving from an intensification of senses.
This is a digitally edited version of materials originally prepared for the performance "Cine間(MA)-absence triggered by a third body".
- Year2020
- Runtime7 minutes
- Languagen/a
- CountryBrazil
- DirectorTetsuya Maruyama
