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ANCESTRAL COMPUTATION assembles works that counter the epistemes of Western technoscience, from across the SWANA region and its diasporic time-spaces. These works call forth ancestral intelligences, inheriting forms of worldmaking surfaced from the lacunae of omissive datasets and archives of dispossession. They traverse algorithmic dream divination; develop tools for upending classificatory protocols; evade technologies of capture; and conjure precolonial deities through radio transmissions. They invoke alternate temporalities, rejecting the consignment of non-Western technologies to the dustbins of media history.
ANCESTRAL COMPUTATION is curated by Mashinka Firunts Hakopian and is co-presented by ArteEast and e-flux. This program is part of the legacy program Unpacking the ArteArchive, which preserves and presents over 20 years of film and video programming by ArteEast. The program will be presented in-person at e-flux, on October 21st starting at 7 pm, for more information visit e-flux.com. The screening will be followed by a discussion between artist Nouf Aljowaysir and the curator. The full ANCESTRAL INTELLIGENCES program will be available online on artearchive.org from October 21 - 31, 2025. This program expands on the screening Ancestral Intelligences, hosted at Cambridge University by Cambridge Film & Screen and Cambridge Visual Culture. Ancestral Intelligences was curated by Mashinka Hakopian in conversation with Kareem Estefan.
Istikhara Dream Cycle is an endless conversation held between two entities, the Dreamer and the Interpreter of Dreams. Their discourse is formed through a generative language model trained on the English translation of Ibn Sirin’s 7th century oneiric manual, The Interpretation of Dreams. Through a series of questions and answers, the Dreamer poses increasingly challenging and self-implicating questions, seeking guidance to navigate the moral and spiritual complexities of modern life. The Dreamer’s constant desire for truth pushes the conceptual and formal boundaries of Istikhara dream divination beyond its traditional limits. The dialogue unfolds as the Dreamer passes through a series of vibrant reveries developed using a separate generative interpretation of the artist’s own work. The answer to each question manifests in two forms. While the diviner speaks the reading, it also reveals itself visually in an ideogrammatic form, a totemic symbol that blends Arabic, Bangla, and Latin letterforms.
About the Filmmaker
Sadia Quddus is a media artist and designer based in Los Angeles, California. Her work investigates entangled relationships between the corporeal, virtual, and territorial body through the lens of Islamic belief systems and the infrastructure of Empire.Sadia’s practice subverts hierarchies of visibility through the manipulation of image surfaces and physical space. She enmeshes body, landscape, technology, and ritual in physical and digital objects. Her current research explores technologies of surveillance and data-capture, terrestrial politics, military ontologies, and cyber-mysticism, all in the conceptual framework of the “image body.” Sadia holds an MFA in Graphic Design from the Rhode Island School of Design (RISD), and is currently pursuing her MFA in Media Art at UCLA Design | Media Arts (DMA). She is a 2025 Supercollider SciArt Ambassador.
- Year2025
- Runtime10 minutes
- LanguageEnglish
- CountryUnited States
- Subtitle LanguageEnglish
- DirectorSadia Quddus
- Production DesignLou Tandon
ANCESTRAL COMPUTATION assembles works that counter the epistemes of Western technoscience, from across the SWANA region and its diasporic time-spaces. These works call forth ancestral intelligences, inheriting forms of worldmaking surfaced from the lacunae of omissive datasets and archives of dispossession. They traverse algorithmic dream divination; develop tools for upending classificatory protocols; evade technologies of capture; and conjure precolonial deities through radio transmissions. They invoke alternate temporalities, rejecting the consignment of non-Western technologies to the dustbins of media history.
ANCESTRAL COMPUTATION is curated by Mashinka Firunts Hakopian and is co-presented by ArteEast and e-flux. This program is part of the legacy program Unpacking the ArteArchive, which preserves and presents over 20 years of film and video programming by ArteEast. The program will be presented in-person at e-flux, on October 21st starting at 7 pm, for more information visit e-flux.com. The screening will be followed by a discussion between artist Nouf Aljowaysir and the curator. The full ANCESTRAL INTELLIGENCES program will be available online on artearchive.org from October 21 - 31, 2025. This program expands on the screening Ancestral Intelligences, hosted at Cambridge University by Cambridge Film & Screen and Cambridge Visual Culture. Ancestral Intelligences was curated by Mashinka Hakopian in conversation with Kareem Estefan.
Istikhara Dream Cycle is an endless conversation held between two entities, the Dreamer and the Interpreter of Dreams. Their discourse is formed through a generative language model trained on the English translation of Ibn Sirin’s 7th century oneiric manual, The Interpretation of Dreams. Through a series of questions and answers, the Dreamer poses increasingly challenging and self-implicating questions, seeking guidance to navigate the moral and spiritual complexities of modern life. The Dreamer’s constant desire for truth pushes the conceptual and formal boundaries of Istikhara dream divination beyond its traditional limits. The dialogue unfolds as the Dreamer passes through a series of vibrant reveries developed using a separate generative interpretation of the artist’s own work. The answer to each question manifests in two forms. While the diviner speaks the reading, it also reveals itself visually in an ideogrammatic form, a totemic symbol that blends Arabic, Bangla, and Latin letterforms.
About the Filmmaker
Sadia Quddus is a media artist and designer based in Los Angeles, California. Her work investigates entangled relationships between the corporeal, virtual, and territorial body through the lens of Islamic belief systems and the infrastructure of Empire.Sadia’s practice subverts hierarchies of visibility through the manipulation of image surfaces and physical space. She enmeshes body, landscape, technology, and ritual in physical and digital objects. Her current research explores technologies of surveillance and data-capture, terrestrial politics, military ontologies, and cyber-mysticism, all in the conceptual framework of the “image body.” Sadia holds an MFA in Graphic Design from the Rhode Island School of Design (RISD), and is currently pursuing her MFA in Media Art at UCLA Design | Media Arts (DMA). She is a 2025 Supercollider SciArt Ambassador.
- Year2025
- Runtime10 minutes
- LanguageEnglish
- CountryUnited States
- Subtitle LanguageEnglish
- DirectorSadia Quddus
- Production DesignLou Tandon