Available in 11d 08h 21m 12s
Available October 21, 2025 4:00 AM UTC
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5 films in package
Transmission
After a deadly car crash, a queer activist couple are flung into parallel realities and must embark on a search between worlds to find each other again.
Where Am I From? أنا من وين؟
Where Am I From? (Ana Min Wein?) is a short film and visual diary that explores the director's identity using two different voices, her own and an AI narrator.
Speculations on Capture
The Victoria and Albert Museum (V&A) in London has one of the largest collections of Islamic art in the world. Allahyari’s poetic film essay explores the stories of astronomical instruments made in Iran and Pakistan and now held at the V&A. Their journeys reflect imperial histories that have shaped the V&A’s collections. Allahyari expands on these partially told tales and speculates on the encounters that have been lost.
Hiding Our Faces Like a Dancing Wind
How do we disappear in the digital age? this is a project that works with the facial recognition technologies in smart devices and its historical background in the colonial practices.This work recalls colonial mechanisms of racial classifications and the construction of historical narratives.
Istikhara Dream Cycle
Istikhara Dream Cycle is an endless conversation held between two entities, the Dreamer and the Interpreter of Dreams. Their discourse is formed through a generative language model trained on the English translation of Ibn Sirin’s 7th century oneiric manual, The Interpretation of Dreams. Through a series of questions and answers, the Dreamer poses increasingly challenging and self-implicating questions, seeking guidance to navigate the moral and spiritual complexities of modern life.
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ANCESTRAL COMPUTATION assembles works that counter the epistemes of Western technoscience, from across the SWANA region and its diasporic time-spaces. These works call forth ancestral intelligences, inheriting forms of worldmaking surfaced from the lacunae of omissive datasets and archives of dispossession. They traverse algorithmic dream divination; develop tools for upending classificatory protocols; evade technologies of capture; and conjure precolonial deities through radio transmissions. They invoke alternate temporalities, rejecting the consignment of non-Western technologies to the dustbins of media history.   


ANCESTRAL COMPUTATION is curated by Mashinka Firunts Hakopian and is co-presented by ArteEast and e-flux. This program is part of the legacy program Unpacking the ArteArchive, which preserves and presents over 20 years of film and video programming by ArteEast. The program will be presented in-person at e-flux, on October 21st starting at 7 pm, for more information visit e-flux.com. The screening will be followed by a discussion between artist Nouf Aljowaysir and the curator. The full ANCESTRAL INTELLIGENCES program will be available online on artearchive.org from October 21 - 31, 2025. This program expands on the screening Ancestral Intelligences, hosted at Cambridge University by Cambridge Film & Screen and Cambridge Visual Culture. Ancestral Intelligences was curated by Mashinka Hakopian in conversation with Kareem Estefan.

Istikhara Dream Cycle is an endless conversation held between two entities, the Dreamer and the Interpreter of Dreams. Their discourse is formed through a generative language model trained on the English translation of Ibn Sirin’s 7th century oneiric manual, The Interpretation of Dreams. Through a series of questions and answers, the Dreamer poses increasingly challenging and self-implicating questions, seeking guidance to navigate the moral and spiritual complexities of modern life. The Dreamer’s constant desire for truth pushes the conceptual and formal boundaries of Istikhara dream divination beyond its traditional limits. The dialogue unfolds as the Dreamer passes through a series of vibrant reveries developed using a separate generative interpretation of the artist’s own work. The answer to each question manifests in two forms. While the diviner speaks the reading, it also reveals itself visually in an ideogrammatic form, a totemic symbol that blends Arabic, Bangla, and Latin letterforms.


About the Filmmaker

Sadia Quddus is a media artist and designer based in Los Angeles, California. Her work investigates entangled relationships between the corporeal, virtual, and territorial body through the lens of Islamic belief systems and the infrastructure of Empire.Sadia’s practice subverts hierarchies of visibility through the manipulation of image surfaces and physical space. She enmeshes body, landscape, technology, and ritual in physical and digital objects. Her current research explores technologies of surveillance and data-capture, terrestrial politics, military ontologies, and cyber-mysticism, all in the conceptual framework of the “image body.” Sadia holds an MFA in Graphic Design from the Rhode Island School of Design (RISD), and is currently pursuing her MFA in Media Art at UCLA Design | Media Arts (DMA). She is a 2025 Supercollider SciArt Ambassador.




  • Year
    2025
  • Runtime
    10 minutes
  • Language
    English
  • Country
    United States
  • Subtitle Language
    English
  • Director
    Sadia Quddus
  • Production Design
    Lou Tandon
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