Masked images, faulty memories, material memorandums, and formless histories question the shape of what is to come. Echoes reflect off the walls, destabilizing the equilibrium of our spatial awareness. Is knowledge contingent? Are we sitting in a room?
Symphonies of Sound (2024, US, 9’)
Rae Leonovich
Merlin Horse (2025, AU/GB, 6’)
Patrick Tarrant
Words Are The Problem (2025, CA, 22’)
Zebulon Zang
Counter-Reformation (2024, US, 15’)
Caroline Johnson
Unless the Eye Catch Fire (2025, CA, 14’)
Brandon Poole
Pictures of a negative chair (2025, US, 9’)
Magdalena Bermudez
A World in the Evening (2023, US, 9’)
Dan Boord and Luis Valdovino
Masked images, faulty memories, material memorandums, and formless histories question the shape of what is to come. Echoes reflect off the walls, destabilizing the equilibrium of our spatial awareness. Is knowledge contingent? Are we sitting in a room?
Masked images, faulty memories, material memorandums, and formless histories question the shape of what is to come. Echoes reflect off the walls, destabilizing the equilibrium of our spatial awareness. Is knowledge contingent? Are we sitting in a room?
Symphonies of Sound (2024, US, 9’)
Rae Leonovich
Merlin Horse (2025, AU/GB, 6’)
Patrick Tarrant
Words Are The Problem (2025, CA, 22’)
Zebulon Zang
Counter-Reformation (2024, US, 15’)
Caroline Johnson
Unless the Eye Catch Fire (2025, CA, 14’)
Brandon Poole
Pictures of a negative chair (2025, US, 9’)
Magdalena Bermudez
A World in the Evening (2023, US, 9’)
Dan Boord and Luis Valdovino
Masked images, faulty memories, material memorandums, and formless histories question the shape of what is to come. Echoes reflect off the walls, destabilizing the equilibrium of our spatial awareness. Is knowledge contingent? Are we sitting in a room?