In this documentary, I make three clones of myself to test which technology can best preserve the people we love and help those who grieve them. And to see if these clones are sufficient simulacrums of myself, I have my fianceé, who knows me best, talk with them.

Utilizing such varied materials as concrete, papier-mâché, and blown-out tires, disparate Los Angeles street artists give new life to the dwindling remnants of the city’s public payphones by repurposing them as canvases for unique expressions of a moment in time. With the streets as their gallery, our heroes defy vandalism laws, maintenance crews, haters, and history itself to deliver a moment’s levity to the right kind of passerby. By keeping its focus on the artists, the phones, and the ephemeral nature of both art and technology, this short documentary thoughtfully invites its audience to appreciate what’s being lost as the world moves on.

The Nimatron, the first electro-mechanical game machine, was first exhibited by Westinghouse at the 1939-1940 New York World's Fair. What can this machine, and its inventor, Dr. Edward U. Condon, tell us about one of America's greatest public health epidemics?