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Felicia Mokgara is a dynamic South African filmmaker dedicated to crafting powerful,

socially resonant narratives. With a strong foundation in film and television, she

merges creativity with technical precision to create stories that captivate and inspire

both local and international audiences.

She directed a short documentary Melancholy under Global Girl Media South Africa.

Her talent as a screenwriter has earned her recognition from the Writers Guild of

South Africa, where she was twice named a semi-finalist at the Muse Awards for her

short film scripts Isago and Bandages. Bandages, which she also directed, was

officially selected for the Lift-Off Global Network Sessions and is a 2025 quarter

finalist at Kobani International Film Festival.

Dir. Statement:

There was a homeless cobbler in my community who witnessed crime in the

community and reported it. The perpetrator ended up tracking him and killing him

where he had set up his stall. I heard people talking about him as though his life did

not matter. That bothered me. Through this film we explore the impact of street

cobblers through Dion in the city of Johannesburg and intend to put a spotlight on

them because they are the unsung heroes.


‘Chukwu Martin is a Nigerian director, actor, and curator renowned for his experimental

approach to storytelling. His works, often described as “Plays” & “Rough Plays,” blend

improvisation, minimalism, and theatrical elements to explore taboo themes, societal

dynamics and the human condition.

His directorial portfolio reflects this unique approach. In Mr Gbenga’s Hard Drive (2021),

Martin delivers an improvisational narrative set against the backdrop of the EndSARS

protests of 2020, showcasing his signature “rough play” style. We Are Not Men Anymore

(2023) is a feature-length improvisational narrative that probes deeply into the baseness of

masculinity. In Altar Boys (2021), he reflects on youth, bullying and peer pressure. Oga Mike

(2024) explores dignity of labor and the struggles of the Nigerian working class. Guy (2025), is

an experimental web series that quietly examines loneliness, identity, and the emotional

landscape of the modern artist. His most recent work “We Danced & Danced” examines

trauma-bonding and parental negligence.

Through these works, 'Chukwu Martin continues to challenge and redefine the boundaries of

Nigeria indie cinema, inviting audiences into a space of reflection, experimentation, and discovery.


Director Statement

We Danced & Danced is a story I’ve carried for a long time, one that has grown with me and

with the lead players. The play explores love, neglect, and the yearning for freedom. It is

about the desperate search for connection in a fractured world. Through the provocative

relationship between Zina and Eno, I hope to raise urgent questions about the cost of neglect,

the fragility of identity under trauma, and the choices we make in our pursuit of belonging.

We Danced & Danced is an invitation to sit with discomfort, to reflect on the complexities of

human relationships, the distortions of our own lives and to perhaps find compassion, even in

the most unlikely stories. I want the viewer to feel as though their own secrets are unfolding

before them on screen.

We Danced & Danced Zina is fiercely protective of her younger brother, Eno, as they flee a household dominated by the endless battles of their estranged parents. In each other, they find solace and the only sense of belonging they have ever known.

Their journey begins without a clear plan—only the shared dream of freedom and a future together. They temporarily take refuge in a friend’s home while plotting to leave the country and start a new life as a married couple. As their relationship deepens, the siblings are forced to confront buried truths about their family and the reality of their choices. But when Eno meets a girl at a party, he

faces an agonizing dilemma: continue his relationship with Zina and risk everything, or sever the bond that has kept them together and finally confront the painful past they’ve been running from. Zina, devastated by Eno’s shift in loyalty, struggles to imagine life without her brother.

Meanwhile, Eno embarks on a journey of self-discovery, learning to face his fears and claim his independence. We Danced & Danced is a deeply moving drama that examines the impact of parental neglect and the yearning for freedom.

  • Year
    2025
  • Runtime
    106.16 minutes
  • Language
    English
  • Country
    Nigeria
  • Premiere
    Canada
  • Rating
    PG13
  • Genre
    feature
  • Subtitle Language
    English
  • Social Media
  • Director
    Martin 'Chukwu
  • Screenwriter
    Martin 'Chukwu, Tomi Folowosele
  • Producer
    Martin 'Chukwu, Rufus Nwoko
  • Filmmaker
    Martin 'Chukwu
  • Cast
    Jessica Gabriels Ujah, Timilehin Ojeola, Ikechukwu Iwebenua
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