Iris Prize LGBT+ Film Festival 2020

Call It Dreaming: Iris Prize 5

Expired October 8, 2020 2:00 PM
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LGBT+ life examined in all its intricate, complicated layers. These carefully crafted, poetic short films mix imagination, mind, body and soul to explore very real, very human experiences.

Dembe sits alone, lost in their thoughts on the shore of Lake Victoria. An unfinished poem runs through their mind - “a little green monster grows inside of me, it comes out to play when I wish to look like She. I want her hair, her eyes, her nose, her skin, her breasts - I want it, to be inside her skin.” It feels right, but the words seem foreign. Ojore, a long lost friend, stumbles upon Dembe walking home along a tree-lined path. He greets Dembe, it’s been a while, he has come home to visit his mother. Dembe sheepishly answers a few of Ojore’s questions when he decides to break the ice and show Dembe a photo of his South African boyfriend - “he’s good to me”. Dembe responds with silence while studying the picture. Ojore mistakes Dembe’s silence for shame and yells “You need to man up! Do you think people mess with me? No. People don’t care I am gay because I am a man.” His words cut deep. Dembe walks off. Ojore didn’t mean harm, he just wants Dembe to experience the same freedoms he has. He catches back up with Dembe and hands them an old South African post card “I found hope here”. Dembe and Ojore make their way back to Dembe’s home where they find Namazzi tending to her vegetable stand, she greets them “Ojore! Look at you! Such a strong young man, look at him, Dembe!” She ushers Dembe in to wash up and help her with dinner. Dembe abides. As they make their way inside, the poem sings through their mind “I want her intelligence, her speed, her heart, her soul.” Dembe feels a small slice of freedom, and thanks Ojore. A few hours pass, Dembe is writing, finally finding the right words to finish the poem “a little green monster grows inside of me, but promises to expire when I learn to smile at my reflection. While wearing the flesh of a man, a woman cannot be herself.” Dembe is content and focused as they write it all down. Namazzi interrupts, snapping Dembe with a towel “Poetry is not what a man does, Dembe. I need you to be a man for me and help!” Dembe responds, “I don’t want to be a man” Namazzi is tired of Dembe being so absent and lazy around the house “you are not a boy, but you are ‘not a man’, so what are you? Hmm?” With that, Namazzi strikes Dembe hard across the face and continues beating them until they fall to the floor. Namazzi leaves Dembe beaten and crying alone. Night falls and Dembe has composed themself - still sitting on the ground, their nose bloody and bruised. They look down, Ojore’s South Africa post card is laying on the ground at their feet. They reach for it. “I want her intelligence, her speed, her heart, her soul. I want it, to be just like her.” With that, Dembe slowly gets up, grabs a lantern, and walks out into the darkness.

  • Year
    2019
  • Runtime
    8 minutes
  • Language
    English
  • Country
    USA
  • Director
    Mae Mann
  • Screenwriter
    Mae Mann
  • Producer
    Joyce Louis-Jean, James Masino