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It is with great pleasure that Edge of Frame curated by Edwin Rostron returns to LIAF after a two year hiatus. This year Edge of Frame presents two programmes of experimental animation, taking the viewer on a journey of portals, windows and cosmic thresholds, into new realities and transitional spaces.
The first selection explores social and psychological realms, escaping from the gateways of technology and capitalism through the doors of perception, to return to our primordial beginnings. The second programme focuses on the portals within our landscapes, in the mutable surfaces of what we call nature. Old and new meet, mysterious energies flow and sites of connection and unification are revealed.
The works in these programmes blur the boundaries between past and present, landscape and technology, human and nonhuman, inner and outer. From brand new films to historical classics these two selections present a dazzling window onto experimental animation practice.
Recommended age 15
“Fracture” mines the slips between stillness and motion, as cracks and fissures of bark and stone are spliced and layered, frame by frame, intersecting slices of time.
It is with great pleasure that Edge of Frame curated by Edwin Rostron returns to LIAF after a two year hiatus. This year Edge of Frame presents two programmes of experimental animation, taking the viewer on a journey of portals, windows and cosmic thresholds, into new realities and transitional spaces.
The first selection explores social and psychological realms, escaping from the gateways of technology and capitalism through the doors of perception, to return to our primordial beginnings. The second programme focuses on the portals within our landscapes, in the mutable surfaces of what we call nature. Old and new meet, mysterious energies flow and sites of connection and unification are revealed.
The works in these programmes blur the boundaries between past and present, landscape and technology, human and nonhuman, inner and outer. From brand new films to historical classics these two selections present a dazzling window onto experimental animation practice.
Recommended age 15
“Fracture” mines the slips between stillness and motion, as cracks and fissures of bark and stone are spliced and layered, frame by frame, intersecting slices of time.