From the IRA’s dirty protests to Guantanamo Bay press tours, violence and trauma reverberate across the map and throughout generations. These projects include field reports filed post-captivity that dismantle the illusion of redemption narratives and expose inequalities in crime and punishment.

Sisterhood and solidarity nourished the thirty-two Irish Republican women POWs at Armagh Gaol (Jail) in 1980, as they embarked on a transgressive, challenging, and oft-overlooked No-Wash protest against British Colonialism.

We Had Each Other

The Midwest, midlife, and various notions of wasted. A field report from the overdose epidemic.

Midwaste

In 2015, poet Jordan Scott set out to record the ambient sounds of the Guantánamo Bay detention camp as a means of bypassing its strict media censorship rules. Today, activist and former detainee, Mansoor Adayfi, recalls how sound shaped his experience there. On the year of the 20th anniversary of the prison, Scott’s field recordings and Adayfi’s memories come together to create a visceral new landscape of this notoriously secret place.

Signal and Noise

The prison and the street merge into a shared carceral landscape.

Dreams Under Confinement

Set against the backdrop of the long history of the Texas prison system–from Juneteenth to Covid–Dark Cell Harlem Farm explores the death by suffocation of eight Black men at a prison plantation in 1913. Combining readings of primary source materials and personal reflections by formerly incarcerated individuals, footage of the prison landscapes where the incident took place, and a series of graphical interventions and excavations, the film makes an urgent and uncompromising argument for the impossibility of prison reform and the necessity of prison abolition.

Dark Cell Harlem Farm

Grid Cell Q&A

Grid Cell

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