Normalization of inequality is enacted bluntly and perniciously, hiding in plain sight as an oppressive homogeneity that rejects and represses with fists both bureaucratic and ungloved. The deficit of care for the social body elicits protests across generations. Abortion clinics, needle exchanges, and collaborative communication point to mechanisms of resistance against the ache of violent pressure.
Program:
Subhuman Services (2025, US, 16’)
Dan Schneidkraut
MAIO (2025, PT, 12’)
Claudio Carbone
Suspicions About the Hidden Realities of Air (2025, US, 9’)
Sam Drake
As Long As We Can (2024, US, 11’)
Kristy Guevara-Flanagan
Love is the Drug (2025, US, 18’)
Liz Roberts
Invisible Machines (2024, US, 24’)
Yelena Gluzman
A reflection on personal and systemic failures woven into an analysis of The Department of Human Services hold music utilizing archival footage of Jimmy Buffet, Duran Duran, Steely Dan, Paula Cole, late night cable erotica, and more.
- Year2025
- Runtime16 minutes
- CountryUnited States
- DirectorDan Schneidkraut
Normalization of inequality is enacted bluntly and perniciously, hiding in plain sight as an oppressive homogeneity that rejects and represses with fists both bureaucratic and ungloved. The deficit of care for the social body elicits protests across generations. Abortion clinics, needle exchanges, and collaborative communication point to mechanisms of resistance against the ache of violent pressure.
Program:
Subhuman Services (2025, US, 16’)
Dan Schneidkraut
MAIO (2025, PT, 12’)
Claudio Carbone
Suspicions About the Hidden Realities of Air (2025, US, 9’)
Sam Drake
As Long As We Can (2024, US, 11’)
Kristy Guevara-Flanagan
Love is the Drug (2025, US, 18’)
Liz Roberts
Invisible Machines (2024, US, 24’)
Yelena Gluzman
A reflection on personal and systemic failures woven into an analysis of The Department of Human Services hold music utilizing archival footage of Jimmy Buffet, Duran Duran, Steely Dan, Paula Cole, late night cable erotica, and more.
- Year2025
- Runtime16 minutes
- CountryUnited States
- DirectorDan Schneidkraut