Normalization of inequality is enacted bluntly and perniciously, hiding in plain sight as an oppressive homogeneity that rejects and represses with fists both bureaucratic and ungloved. The deficit of care for the social body elicits protests across generations. Abortion clinics, needle exchanges, and collaborative communication point to mechanisms of resistance against the ache of violent pressure.
Program:
Subhuman Services (2025, US, 16’)
Dan Schneidkraut
MAIO (2025, PT, 12’)
Claudio Carbone
Suspicions About the Hidden Realities of Air (2025, US, 9’)
Sam Drake
As Long As We Can (2024, US, 11’)
Kristy Guevara-Flanagan
Love is the Drug (2025, US, 18’)
Liz Roberts
Invisible Machines (2024, US, 24’)
Yelena Gluzman
Catia, one of the last residents of the self-built neighbourhood 6 de Maio in Lisbon, fights to keep her home as the community faces evictions and demolitions.
- Year2025
- Runtime12 minutes
- CountryPortugal
- DirectorClaudio Carbone
Normalization of inequality is enacted bluntly and perniciously, hiding in plain sight as an oppressive homogeneity that rejects and represses with fists both bureaucratic and ungloved. The deficit of care for the social body elicits protests across generations. Abortion clinics, needle exchanges, and collaborative communication point to mechanisms of resistance against the ache of violent pressure.
Program:
Subhuman Services (2025, US, 16’)
Dan Schneidkraut
MAIO (2025, PT, 12’)
Claudio Carbone
Suspicions About the Hidden Realities of Air (2025, US, 9’)
Sam Drake
As Long As We Can (2024, US, 11’)
Kristy Guevara-Flanagan
Love is the Drug (2025, US, 18’)
Liz Roberts
Invisible Machines (2024, US, 24’)
Yelena Gluzman
Catia, one of the last residents of the self-built neighbourhood 6 de Maio in Lisbon, fights to keep her home as the community faces evictions and demolitions.
- Year2025
- Runtime12 minutes
- CountryPortugal
- DirectorClaudio Carbone