Life Without Dreams is set in the outer space of consciousness, where the surfaces of far out planetary bodies form the terrain for an exploration of 24/7 capitalism, insomnia, and the disappearance of darkness. ” Montaging personal experiences of sleeplessness with archival images of nocturnal owls and bats, 3D animations made by NASA of the night sky, YouTube videos of sleeping train passengers, a sleep scientist describing sleep debt, and an astronomer talking about darkness, this ensemble of images warps the contours of reality as it blends with fiction.

Life Without Dreams

Life Without Dreams is set in the outer space of consciousness, where the surfaces of far out planetary bodies form the terrain for an exploration of 24/7 capitalism, insomnia, and the disappearance of darkness.

“Simplicity of life, even the barest, is not misery but refinement.” - William Morris

News from Nowhere

“Simplicity of life, even the barest, is not misery but refinement.” - William Morris

It's an ethnographic film exploring the legend of a Mahadeo Koli Goddess Kalsu whose story and identity remains impregnated in the consciousness of the women of the tribe even today. The film tells the story of the Goddess while drawing visual contrasts between primordial and contemporary images.

Kalsubai

It is an ethnographic documentary on the Koli Goddess Kalsu in Western Ghats of Maharashtra.

Hecate lost Cerberus in Moscow's 850th Anniversary Park. Ariadne's thread turned into a hose for watering lawns. Nymphs forgot about Aphrodite. Styx narrowed to a tributary of the Moscow River. Moiraes gossip during a picnic. Minotaur is kissing with his beloved, forgetting about the labyrinth. As if from Olympus, we are watching the heroes of ancient Greek myths in a Moscow park.

Continuity of Parks

Deprived of their familiar context, the heroes of ancient Greek myths find themselves in a Moscow park.

Exploration of masculinity begins with the Minotaur, a mythical creature Picasso used to portray himself in his etching print series. The Minotaur goes through a violent struggle between being male and female. Finally, lines blur and boundaries of sexes disappear.

Eyes and Horns

Inspired by Picasso’s ‘Vollard Suite’, the transformation of the over masculine Minotaur leads to the destruction of boundaries of sexes.

Some cows don't need to jump to make it over the moon.

Beef

Some cows don't need to jump to make it over the moon.

Tigre del Carbón is an imaginary place on the map of affections, where hawthorn, orange and plum trees coexist. An island and a valley which climbs stairs of all ages.

Tigre del Carbón

Tigre del Carbón is an imaginary place on the map of affections, where hawthorn, orange and plum trees coexist. An island and a valley which climbs stairs of all ages.

In a series of mises-en-scène shot only in natural light, we see a domestic setting overrun by a pack of dogs that roam around restlessly, attacking objects and furniture. The interior of this home is a mental space, violated and lacerated like a body that has undergone violence. Fruit, game, and remnants of food are arranged like still lifes, with allegorical elements evoking the precariousness of life and the loss of innocence. It is a suspended, hostile ecosystem, where the brutality suffered by other species is transferred by osmosis to human beings. In the vision imagined by the artist, the hunting hounds and other dogs—which were perhaps owned by the couple and witnessed the abusive relationship over the years—have come back like ghosts from the past. Historically symbols of loyalty to their master, the dogs here rebel and become the woman's guardians, supporting and protecting her in the process of liberation from her persecutor. It is thus the irrational, animalistic part of the unconscious that has been unleashed, allowing the woman to regain control over her life and save herself. Text courtesy of Leonardo Bigazzi.Lascerate was commissioned and produced by In Between Art Film for the project Mascarilla 19 – Codes of Domestic Violence. In the vision imagined by the artist, the hunting hounds and other dogs—which were perhaps owned by the couple and witnessed the abusive relationship over the years—have come back like ghosts from the past. Historically symbols of loyalty to their master, the dogs here rebel and become the woman's guardians, supporting and protecting her in the process of liberation from her persecutor. It is thus the irrational, animalistic part of the unconscious that has been unleashed, allowing the woman to regain control over her life and save herself.

Lacerate

Inspired by the iconography of biblical paintings and Flemish still-lifes, LACERATE reflects on the subject of domestic and gender violence by portraying the extreme decision of a woman who turns from victim into executioner

A mouse finds herself reciting childhood memories in a sterile living room. Shards of an alienating past paint the portrait of a human life. A sense of loss pervades the atmosphere as she's torn between being human and being mouse, between being alive and being in a simulation.

What Dying Feels Like

A recently retired father invites his son to help him with the cherry picking in the garden. The father is in no hurry to finish the cherry job though, as he tries to catch up with his son. The cherries remain in the background.

Cherries

A recently retired father invites his son to help him with the cherry picking in the garden.

The Edge Shorts Q&A

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The Edge Shorts 

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Welcome! The 55th Nashville Film Festival includes films ranging in genres from narratives, documentaries, animation, horror and much more!

Here's what's coming up soon. Can't make it? No worries. Many live streams will be available for on-demand viewing as well.