<img src="https://storage.googleapis.com/eventive-static/4bd094329df0192602571db8242e154b.png">Formally inventive and challenging notions of hows have traditionally been presented, these short films broaden our understanding of what a film is and how it communicates.&nbsp;&nbsp;

Intro: Experimental Shorts

An ethereal experimental film that utilizes a clear crystal ball to represent the essence, spirit, and magic of Black girls and Black women.

Valid & Literal Magic

An ethereal experimental film that utilizes a clear crystal ball to represent the essence, spirit, and magic of Black girls and Black women.

A Sri Lankan woman accesses other places in digital form, while situated in her own physical reality.

Show Me Other Places

A Sri Lankan woman accesses other places in digital form, while situated in her own physical reality.

The night side of a modernist icon. The fauna and flora of Roberto Burle Marx's gardens inhabited by visitors to Flamengo's Park while the city of Rio de Janeiro falls asleep.

Fireflies (Vagalumes)

The night side of a modernist icon. The fauna and flora of Roberto Burle Marx's gardens inhabited by visitors to Flamengo's Park while the city of Rio de Janeiro falls asleep.

Two Sons and a River of Blood parallels the loss of a pregnancy with trans embodiment, as two queer cis women and a trans man perform and mythologize their experiences of harboring multiple existences.

Two Sons and a River of Blood

Two Sons and a River of Blood parallels the loss of a pregnancy with trans embodiment, as two queer cis women and a trans man perform and mythologize their experiences of harboring multiple existences.

A dark journey down the rabbit hole of a turbulent female adolescence.

Desert Air

A dark journey down the rabbit hole of a turbulent female adolescence.

Set in Charlottesville during the early 1990s, Pride follows an aspiring writer as she finalizes stories for the latest issue of Pride, a student run newspaper at the University of Virginia

Pride

Set in Charlottesville during the early 1990s, Pride follows an aspiring writer as she finalizes stories for the latest issue of Pride, a student run newspaper at the University of Virginia

A half-moon on the blue sky. A quiet offering connects the unreachable world with the physical ground. An elegy for the filmmaker's grandma.

Saturday Afternoon (pài-la̍k ē-poo)

A half-moon on the blue sky. A quiet offering connects the unreachable world with the physical ground. An elegy for the filmmaker's grandma.

Scenes from above, below and around the Sargasso Sea, a body of water unbounded by land where ecology and mythology have coexisted since before Juan de Bermúdez’s 1505 expedition. Where spirits whisper through the Island’s flora and fauna, only to be interrupted by the alternating currents of manmade ruin and regeneration.

No Garden Beyond

Scenes from above, below and around the Sargasso Sea, a body of water unbounded by land where ecology and mythology have coexisted since before Juan de Bermúdez’s 1505 expedition.

this Machine kills Nostalgia. at the corner of Calliope and Calamity, a Fusillade and Formation arrayed amid placid antebellum aestheticization. and Feathers will Fly. Sound design by Sermon Popgun's Smearmory for Doe-eyed Tatterdemalions. With percussion by the St. Augustine High School Marching 100.

Sinking of the Natchez (Grounding Exercise no. 13)

this Machine kills Nostalgia. at the corner of Calliope and Calamity, a Fusillade and Formation arrayed amid placid antebellum aestheticization. and Feathers will Fly.

QA: Experimental Shorts

Experimental Shorts

Virtual Admission

We feel so lucky to be the people to thank you for your gift –– for championing Southern storytelling and allowing us to bring our stories to the big screen for 40,000 moviegoers annually. You help us to nurture the careers of diverse Southern filmmakers, present the Oscar-qualifying New Orleans Film Festival, and produce film series and special events throughout the year. We're deeply grateful for your contribution. For tax purposes, this letter will serve as official acknowledgment of your tax-deductible contribution to the New Orleans Film Society (NOFS). NOFS Tax ID # / EIN: 72-1136068 For more information about your donation or about NOFS, please contact us at (504) 309-6633 or <a href="mailto:megan@neworleansfilmsociety.org" rel="noopener noreferrer" target="_blank" style="color: rgb(0, 0, 0);">megan@neworleansfilmsociety.org</a>. If you are not a member of NOFS yet, please click <a href="https://neworleansfilmsociety.org/become-a-member/" rel="noopener noreferrer" target="_blank" style="color: rgb(0, 0, 0);">here</a> to join today. Best regards, Fallon Young&nbsp;Executive Director&nbsp; New Orleans Film Society1215 Prytania St. Suite 425New Orleans, LA 70130(504) 309-6633

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