A Ukrainian filmmaker-refugee's exploration of Californian reality unfolds through a dialogue between the author and his wife about the palm tree, both as a biological species and a historical symbol.

Unidentified studio portraits from a decaying and discarded 1930s cellulose nitrate film archive are paralleled with examinations of botanical cellulose at a microscopic level.

American landscapes roll ominously while Palestinian and Lebanese voices permeate with poetry, hope, and pain.

A reimagining of the artist's mother’s childhood visits to the Metropolitan Museum of Art through the lens of magical realism.

The story of Walda's first encounter with a caboclo, a spirit rooted in Afro-Brazilian traditions, is handed down from one generation to the next. Like an invocation chanted by several voices, it becomes the matrix for new narratives. As it moves beyond the visible spectrum, Aparição reflects on vision as a collective sense.