
Give as a gift
"I play it cool
And dig all jive
That’s the reason
I stay alive.
My motto,
As I live and learn,
is:
Dig And Be Dug
In Return." - Motto by Langston Hughes
Take a trip to Seattle’s underground film scene. This is a specially curated block of shorts from none other than Lex Scope with Scope Screenings showcasing daring and unconventional works that push the boundaries of storytelling. Each film invites audiences to explore the creativity and innovation that thrives beyond mainstream cinema.
Concessions available for purchase. Alcohol available for purchase for 21+ attendees.
Cinema, like a dream, like music, must seek to penetrate the hidden corridors of the soul—to reveal what cannot be spoken but is felt in the quiet tremors of our being. With this piece, we do not tell a story as much as we summon a memory—a memory that may not belong to us, yet one we recognize as our own.
This is a meditation on fear—not of the external world, but of the self. The mind, left alone too long, begins to echo, to distort, to unravel. In this film, silence speaks louder than words, and darkness is not an absence of light but a presence—an entity unto itself.
The images dissolve like memories dissolving in water. They do not conclude; they persist. The music does not accompany; it haunts. This is not horror in the conventional sense but an experience of disquiet, an attempt to touch the fragile threshold between waking and dreaming.
I do not wish to entertain, but to immerse. To invite the viewer to step into the liminal space where fear and beauty become indistinguishable.
"I play it cool
And dig all jive
That’s the reason
I stay alive.
My motto,
As I live and learn,
is:
Dig And Be Dug
In Return." - Motto by Langston Hughes
Take a trip to Seattle’s underground film scene. This is a specially curated block of shorts from none other than Lex Scope with Scope Screenings showcasing daring and unconventional works that push the boundaries of storytelling. Each film invites audiences to explore the creativity and innovation that thrives beyond mainstream cinema.
Concessions available for purchase. Alcohol available for purchase for 21+ attendees.
Cinema, like a dream, like music, must seek to penetrate the hidden corridors of the soul—to reveal what cannot be spoken but is felt in the quiet tremors of our being. With this piece, we do not tell a story as much as we summon a memory—a memory that may not belong to us, yet one we recognize as our own.
This is a meditation on fear—not of the external world, but of the self. The mind, left alone too long, begins to echo, to distort, to unravel. In this film, silence speaks louder than words, and darkness is not an absence of light but a presence—an entity unto itself.
The images dissolve like memories dissolving in water. They do not conclude; they persist. The music does not accompany; it haunts. This is not horror in the conventional sense but an experience of disquiet, an attempt to touch the fragile threshold between waking and dreaming.
I do not wish to entertain, but to immerse. To invite the viewer to step into the liminal space where fear and beauty become indistinguishable.