To the Farmhouse is a reclamation story that navigates the hostile relationship between my ordained mother portrayed as an owl and my transness. To the Farmhouse,is an eleven minute stop-motion animation that is accompanied by a series of large scale sculptures and objects constructed for animation at the CAC in New Orleans during residency. The 8ft by 3ft church becomes the backdrop for the animation which is projected onto the floor of the church. The narrative-based audio focuses on internal introspection through short autobiographical vignettes. In To the Farmhouse, time is suspended, sped up, reversed and slowed down through stop motion techniques. Objects, like the church and owl, decay and reappear. Similar to the way Virginia Woolf’s, To the Lighthouse, and K-Ming Chang's Bestiary, portray time in a queer way. Time claws and scratches, floats in and out of reality and ultimately builds a new foundation to call my own. To the Farmhouse seeks to disrupt heteronormative timelines of familial patterns by placing the emphasis on my thoughts and feelings instead of my mothers.