Inspired by Emma Lazarus’s famed poem welcoming immigrants to the United States, this experimental video short captures small moments of humanity within the quotidian carriage of the NYC subway. Titled in reference to a computational “for” loop, the video poem speaks to the holding pattern we occupy and take passage through—equal in our anonymity, hurriedness and small sufferings. Amid this current era of nationalist scapegoating, we persist in the quiet ethos of multiplicity. We (us) are greater than US in the lived experience of equality and freedom.

THE PHANTASMAGORIA OF OFFENSE: THE MALE VERSION

Jay is with his new prostitute Kim when his younger brother Henry comes to drop the drugs off. The brothers began arguing with each other when Kim exposes her identity as a cop, which escalates to Henry and Kim confronting each other with guns. In a quick turn of events Henry ends up shooting Kim and kills her. Jay tells Henry to leave the scene and Jay will take full responsibility for the events that occurred

THE GOOD ONE

Ciara and Tiffany get caught up in the drug game. Once your in there is only one way out.

RED NIGHT SPECIAL CHAPTER 1

PEOPLE TALK: INTERVIEW WITH "RED NIGHT SPECIAL" DIRECTOR ANDREW JACKSON

PEOPLE TALK: INTERVIEW WITH "RED NIGHT SPECIAL" DIRECTOR ANDREW JACKSON

SHORTS - TPFF AFTER DARK

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