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Director's Statement:
Our main objective with The Bow was to offer an intimate and evocative film that subtly examined the theme of an abusive relationship where the woman is the abuser. That itself is an alternative perspective on abusive relationships, subverting traditional narratives and allowing our audience to delve into the complex dynamics of power, control, and emotional manipulation through a new perspective. Our intention was indeed not to perpetuate stereotypes or undermine the seriousness of abuse. But instead to examine the emotional, psychological, and societal factors that
contribute to abusive dynamics, irrespective of gender. By presenting a narrative that deviates from traditional portrayals, we hope to foster a broader understanding of abuse and encourage meaningful discussions around it. Since this film addresses a delicate and distressing subject matter, we approached it with the utmost sensitivity and responsibility. Our intention was not to glamorize or sensationalize abuse but to shed light on the psychological complexities that define these damaging relationships. Our visual style is therefore deliberately intimate while still not being invasive, capturing the intricate moments that expose the underlying tension and manipulation within the relationship between William and Esmée. Whether we’re willing to admit it or not, we’ve all been the subject of an abusive relationship. Maybe it was only briefly at the workplace or in public ; or maybe in a more intimate setting and for a longer period of time. Our point was to show how silent and discreet these dynamics can be and to underline the suffering that comes with them, faced by all individuals involved. We hope to foster empathy, understanding, and recognition of the diversity of experiences in order to pave the way for a more inclusive and supportive society.
Marie Rouhban - Director
Half French, half Lebanese, Marie has always been passionate about cinema but she made a detour before beginning her career as a director. After graduating from business school in Paris and London, she spent 7 years working for companies, mostly in marketing and strategy positions. She moved to L.A. in 2021 to pursue a Directing Program at UCLA and now, she brings stories to the big screen herself, shifting between dark comedies and heavy dramas. Her favorite part of the job is the people she works with as she loves the collective aspect of movie-making.
Director's Statement:
Our main objective with The Bow was to offer an intimate and evocative film that subtly examined the theme of an abusive relationship where the woman is the abuser. That itself is an alternative perspective on abusive relationships, subverting traditional narratives and allowing our audience to delve into the complex dynamics of power, control, and emotional manipulation through a new perspective. Our intention was indeed not to perpetuate stereotypes or undermine the seriousness of abuse. But instead to examine the emotional, psychological, and societal factors that
contribute to abusive dynamics, irrespective of gender. By presenting a narrative that deviates from traditional portrayals, we hope to foster a broader understanding of abuse and encourage meaningful discussions around it. Since this film addresses a delicate and distressing subject matter, we approached it with the utmost sensitivity and responsibility. Our intention was not to glamorize or sensationalize abuse but to shed light on the psychological complexities that define these damaging relationships. Our visual style is therefore deliberately intimate while still not being invasive, capturing the intricate moments that expose the underlying tension and manipulation within the relationship between William and Esmée. Whether we’re willing to admit it or not, we’ve all been the subject of an abusive relationship. Maybe it was only briefly at the workplace or in public ; or maybe in a more intimate setting and for a longer period of time. Our point was to show how silent and discreet these dynamics can be and to underline the suffering that comes with them, faced by all individuals involved. We hope to foster empathy, understanding, and recognition of the diversity of experiences in order to pave the way for a more inclusive and supportive society.
Marie Rouhban - Director
Half French, half Lebanese, Marie has always been passionate about cinema but she made a detour before beginning her career as a director. After graduating from business school in Paris and London, she spent 7 years working for companies, mostly in marketing and strategy positions. She moved to L.A. in 2021 to pursue a Directing Program at UCLA and now, she brings stories to the big screen herself, shifting between dark comedies and heavy dramas. Her favorite part of the job is the people she works with as she loves the collective aspect of movie-making.