Yung Shen and Hsiao Tung are inseparable friends who spend their free time roaming the hills, spelunking in abandoned mines, and chasing each other around the seaside. But the sensuous, ebullient vision of youthful bliss is suddenly shattered by an unexpected tragedy, sending the story spiraling into a sobering, emotional quest for redemption and forgiveness. As with I Don’t Dare Tell You, economic inequality and political oppression simmer below the surface of difficult adolescent relationships. Banned due to its “unhealthy” portrayal of the intimate, charged friendship between two boys, the film offers a daring exploration of homoeroticism. While traces of Italian neorealist and Japanese influence are detectable, Mou’s sophomore film is a remarkably original achievement showcasing ingenious hand-held photography and rapid-cut montages. The End of the Track presents a dazzling cinematic experience from the early years of Taiwanese film history. — Yufan Chen and Hannah Baek

The End of the Track / Pao dao zhongdian

Dr. Victor Fan graduated with a PhD from the Film Studies Program and the Comparative Literature Department of Yale University, and an MFA in Film and Television Productions at School of Cinema-Television (now School of Cinematic Arts), University of Southern California. Prior to his position as Reader in Film and Media Philosophy at King’s College London, he was Assistant Professor at the Department of East Asian Studies, McGill University. He is the author of&nbsp;Cinema Approaching Reality: Locating Chinese Film Theory&nbsp;(University of Minnesota Press, 2015) and&nbsp;Extraterritoriality: Locating Hong Kong Cinema and Media&nbsp;(Edinburgh University Press, 2019).&nbsp;His forthcoming monograph,&nbsp;Cinema Illuminating Reality: Media Philosophy through Buddhism,&nbsp;will be published by the University of Minnesota Press in 2022. Dr. Victor Fan contextualizes Mou Tun-fei's early life and career in the political and cultural landscape of Taiwan from the 1920s to the 1970s. In doing so, Dr. Fan underscores the significance of Mou Tun-fei's early works in not only his career but also in Taiwan film history.

Lecture: Dr. Victor Fan, King's College London

Born in 1981, Wood Lin received his MA from the Graduate Institute of Sound and Image Studies at Tainan National University of the Arts. He is a film critic and a festival&nbsp;organizer&nbsp;specializing&nbsp;in documentary. He&nbsp;formerly served on the jury&nbsp;for&nbsp;several&nbsp;international film festivals.&nbsp;He now&nbsp;serves as&nbsp;program&nbsp;director of&nbsp;the&nbsp;Taiwan International Documentary Festival (TIDF) and the&nbsp;program&nbsp;advisor of&nbsp;the&nbsp;International Documentary Festival Amsterdam (IDFA), as well as Supervisor of Research and Development at the Taiwan Film and Audiovisual Institute. Wood Lin draws from interviews with Mou Tun-fei's collaborators to&nbsp;unearth new details about the director's early works. Through lively anecdotes, Lin paints a vivid image of the creation, exhibition, and rediscovery of the two films in this program.

Lecture: Wood Lin, Taiwan Film and Audiovisual Institute

Virtual Admission

Donation to {{name}}

Donate

These are all the passes tied to your account. Now, use our online schedule to reserve tickets. You can access your tickets via {{my_tickets_link|"My Tickets"}} or via the PDFs attached to each ticket order confirmation email. {{buy_pass_link|Looking to buy more passes?}}

These are all your purchased tickets. Open this page on your phone, and at the door tap the "Show Barcode" button and show your screen to the attendant. Prefer paper? Print the PDF attached to the order confirmation email, or click one of the gears below and select "Download tickets PDF". If purchasing multiple tickets, be sure to print or show each unique ticket barcode.

None available

TABOOED INITIATION: TWO EARLY FILMS BY MOU TUN-FEI

Here's what's coming up soon. Can't make it? No sweat. Many live streams will be available for on-demand viewing as well.