Wong Kar Wai’s scintillating debut feature is a kinetic, hyper-cool crime thriller graced with flashes of the impressionistic, daydream visual style for which he would become renowned.

The whiplash, double-pronged Chungking Express is one of the defining works of nineties cinema and the film that made Hong Kong filmmaker Wong Kar Wai an instant icon.

Wong Kar Wai’s breakthrough sophomore feature represents the first full flowering of his swooning signature style.

Lost souls reach out for human connection amidst the glimmering night world of Hong Kong in Wong Kar Wai’s hallucinatory, neon-soaked nocturne.

Like In the Mood for Love, The Hand is set in the hazy Hong Kong of the 1960s, but its characters couldn’t be more different from the earlier film’s restrained, haunted lovers.

Hong Kong, 1962: Chow Mo-wan (Tony Leung Chiu-wai) and Su Li-zhen (Maggie Cheung Man-yuk) move into neighboring apartments on the same day.