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14 films in package
5:01
Two female filmmakers explore the level of awareness among the male students regarding the gender gap among second year filmmakers at Champlain College.
Noah's Last Day
An elementary schooler has her last day of school before retreating underground with her doomsday prepper father.
Alone, Together
A short film articulating the challenges of creating a film while stuck inside and the cabin fever all can relate to under quarantine.
Jet Line: Voicemails from the Flight Path
An anonymous hotline elevates the voices beneath the deafening flight path of Vermont's F-35 fighter jet.
Harry
The story of an adventurous Atlantic crossing told through archival footage and interviews.
USSR is Canceled
Two boys in 90s Ukraine return from a camping trip and find the USSR has fallen.
Clear as Crystal
A student on the autism spectrum magically receives the ability to read social cues, but will his newfound gift empower or crush him?
Eggs
An enigmatic and poetic film about resisting entropy together.
Residue
An experimental look at found footage of the filmmaker's grandfather traveling up Mt. Washington, juxtaposed with stills of his time in Vietnam.
Keeping the Farm Alive
Keeping a dairy farm alive in 2021 is no easy task
Violent Logic: A Cleaving
A two-part short film based on Emily Dickinson poems exploring the idea of the "split self."
Violent Logic: A Still Volcano Life
A two-part short film based on Emily Dickinson poems exploring the idea of the "split self."
Living On The Shelf: The Importance of Archival Footage
A documentary about the importance of preserving Vermont's history through archival footage at CCTV.
WRIF Emerging Filmmakers Showcase Winners
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The WRIF Emerging Filmmakers Contest showcases the talents of young filmmakers (age 18-30) living in VT & NH. These films were selected to be shown at WRIF because they resonate with the festival's independent, creative and community-building spirit. We invite you to pay what you can for this screening to contribute to prizes for the Audience Award winners, which will be announced at the end of the festival!

Emily Dickinson’s poetry is particularly cinematic, employing imagery and auditory elements to generate a rich sensory experience for the reader. Cece King and Clara Pakman sought to create short experimental films that manifested the sensory effects of reading Dickinson’s poetry. The two-part short Violent Logic, based on the Dickinson poems “A still Volcano Life” and “I felt a Cleaving in my Mind,” explores the idea of a “split self,” one that simultaneously exists in and beyond the domestic sphere.


Set in domestic spaces during April of the COVID-19 pandemic, the films do not overtly associate lines of Dickinson’s poetry with specific images to prevent them from imposing narratives on poems whose author refused to title her work. Instead, they abstractly evoke the concept that breaking out of a state of mental domesticity is a violent process, which Adrienne Rich summarizes in the following quote: “It is an extremely painful and dangerous way to live–split between a publicly acceptable persona, and a part of yourself that you perceive as the essential, the creative and powerful self, yet also possibly unacceptable, perhaps even monstrous.”



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In the last few years, Dartmouth undergraduate Cece King studied Arabic in Morocco through a State Department scholarship, traveled to Texas as a legal assistant/interpreter to advocate for asylum seekers, and was appointed to Manhattan Community Board 8 to represent her district in New York City. This past year, she helped found the education startup Curious Cardinals, featured in Bloomberg. She is currently a production assistant on IN THE MAKING, a documentary set to premiere this fall that explores whether the systems meant to nurture emerging artists are failing. Inspired by Emily Dickinson’s poetry and her professor Ivy Schweitzer, Cece turned to film and co-created the two-part short series Violent Logic with her classmate Clara Pakman during the first few months of the pandemic. She chose to translate the poem A still Volcano Life to film to visually explore why Emily Dickinson associated herself with an unassuming volcano ready to explode.

  • Runtime
    2 minutes
  • Director
    Cece King