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6 films in package
Close Enough
Does your relationship provide everything you need? "Close Enough" by Alex Hunter is a deeply avant-garde, experimental piece with a heartbeat of its own, uncategorized, unapologetic, and strangely familiar. It doesn’t tell a story so much as evoke a state: the liminal, ghostly feeling of hotel rooms as sites of suspended identity and fleeting intimacy.
Before My Silence
What can a 100-year old lady tell us? "Before My Silence" by Axel Schilling is a haunting and exquisitely executed short that feels impossibly real, so much so that it’s hard to believe it’s AI-generated. A woman in a wheelchair, facing the sea one final time, becomes the quiet symbol of resistance, memory, and endurance.
The Butterfly Dream
What does it matter what's illusion and what's reality? A dreamy, philosophical short inspired by the Taoist parable questioning reality and illusion. Through poetic visuals and introspective voiceover, the film asks: does it even matter if this is real?
Color of My Garden
What's Frida Kahlo’s life like? Color of My Garden feels like an AI-remake of Frida Kahlo’s life, not in the traditional sense of a remake, but in the way dreams remake memory: surreal, fragmented, reverent, and slightly untamed.
Between Spaces
What connects childhood dreams and the bitter reality of war? A surreal AI-generated meditation on childhood awe, memory, and dreamspace, where plastic toy soldiers march through shifting landscapes of myth and loss. Subtle and stunning.
Robin
What does history say about us? “Robin” by Barney Miller may be a retelling, but it’s no bedtime story. It’s a scalpel, not a sword, cutting through the legend to expose the rotten, human core of power itself.
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What does history say about us?


“Robin” by Barney Miller may be a retelling, but it’s no bedtime story. It’s a scalpel, not a sword, cutting through the legend to expose the rotten, human core of power itself. The narrator’s voice is absolutely delicious, smooth, intimate, quietly damning, like power whispering its confessions right into your ear. That “It’s not you, it’s me” framing flips everything on its head. Power owns the story. It’s not about justice anymore, but about the slow seduction of control.


The AI-enhanced visuals serve the metaphor well, polished, eerily timeless, like a fairy tale under surveillance. Technically clean, emotionally tight. It doesn’t overreach or overexplain. It trusts the viewer to feel the weight. This isn’t just about history. It’s a mirror held to any of us who think we’re the exception. You want to be the hero? Check your shadow first.

  • Year
    2025
  • Runtime
    5 minutes
  • Language
    English
  • Country
    United States
  • Awards
    Best Message 09/2025, Best Screenplay 09/2025
  • Director
    Barney Miller
  • Screenwriter
    Caperton Miller
  • Producer
    Alex Mills, Colin Petrie-Norris