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6 films in package
Close Enough
Does your relationship provide everything you need? "Close Enough" by Alex Hunter is a deeply avant-garde, experimental piece with a heartbeat of its own, uncategorized, unapologetic, and strangely familiar. It doesn’t tell a story so much as evoke a state: the liminal, ghostly feeling of hotel rooms as sites of suspended identity and fleeting intimacy.
Before My Silence
What can a 100-year old lady tell us? "Before My Silence" by Axel Schilling is a haunting and exquisitely executed short that feels impossibly real, so much so that it’s hard to believe it’s AI-generated. A woman in a wheelchair, facing the sea one final time, becomes the quiet symbol of resistance, memory, and endurance.
The Butterfly Dream
What does it matter what's illusion and what's reality? A dreamy, philosophical short inspired by the Taoist parable questioning reality and illusion. Through poetic visuals and introspective voiceover, the film asks: does it even matter if this is real?
Color of My Garden
What's Frida Kahlo’s life like? Color of My Garden feels like an AI-remake of Frida Kahlo’s life, not in the traditional sense of a remake, but in the way dreams remake memory: surreal, fragmented, reverent, and slightly untamed.
Between Spaces
What connects childhood dreams and the bitter reality of war? A surreal AI-generated meditation on childhood awe, memory, and dreamspace, where plastic toy soldiers march through shifting landscapes of myth and loss. Subtle and stunning.
Robin
What does history say about us? “Robin” by Barney Miller may be a retelling, but it’s no bedtime story. It’s a scalpel, not a sword, cutting through the legend to expose the rotten, human core of power itself.
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What's Frida Kahlo’s life like?


Color of My Garden feels like an AI-remake of Frida Kahlo’s life, not in the traditional sense of a remake, but in the way dreams remake memory: surreal, fragmented, reverent, and slightly untamed. Clearly inspired by the 2002 feature film Frida starring Salma Hayek, this short walks a familiar path through the artist’s storied life, her illnesses, betrayals, and passions, but reinterprets it with the hallucinatory brushstrokes of machine vision.


The visual language is its own: compositions are beautifully rendered, colors rich, and stylistic transitions imaginative, sometimes echoing Frida’s own paintings. The overall experience is compelling, especially for those unfamiliar with her life story. Frida’s resilience, eccentricity, and luminous pain radiate through, reminding us that art can grow from devastation, and that the garden of her life remains in bloom, even when remixed by machines.

  • Year
    2025
  • Runtime
    25 minutes
  • Language
    English
  • Country
    Korea, Democratic People's Republic of
  • Awards
    Best Documentary 09/2025
  • Director
    Roy Oh
  • Screenwriter
    Roy Oh
  • Producer
    Roy Oh