Archives, often perceived as impartial guardians of history, are actually deeply entwined with political agendas. In the context of the Palestinian struggle, archives have been systematically pillaged and obliterated by the Israeli state and military, resulting in the loss of invaluable records of Palestinian history and resistance. Among the missing archives are decades of footage by the Palestine Liberation Organization’s (PLO) Palestine Film Unit (PFU). This collective of militant filmmakers emerged in the late 1960s, utilizing the camera as a tool of resistance to document the Palestinian experience and the struggle for liberation.
The film program features documentaries about the Palestinian film archive and filmic legacy – Azza El-Hassan’s KINGS AND EXTRAS: DIGGING FOR A PALESTINIAN IMAGE (2004), Mohanad Yaqubi’s OFF FRAME (aka REVOLUTION UNTIL VICTORY) (2016)– as well as a selection of earlier films created during the revolutionary Palestinian film era, which have recently been restored as part of El-Hassan’s invaluable initiative, The Void Project, which was founded in 2018 to explore the presence and absence of the Palestinian visual archives as a discourse in narrative formation, and to restore and distribute some of the surviving films of the era.
ARCHIVES OF POWER ultimately strives to amplify the voices and stories that have been marginalized and suppressed, reclaiming agency and autonomy in defiance of ongoing attempts to erase Palestinian history and visual narrative. This program serves as an indispensable platform for comprehending and challenging the mechanisms of oppression and resistance within the domain of archival representation.
Palestine in the Eye (1977)
Produced by Palestinian Film Institute
Palestine in the Eye chronicles the profound impact of Hani Jawharieh’s death for the PLO Film Unit. The film reflects on his life through interviews with family, colleagues, and his own cinematography, including the moment of his death while filming for the Unit in 1976. Although the film has later been attributed to Mustafa Abu Ali, the Unit’s method of work was to describe everyone as a collective of “workers,” and we see this in the film titles, which collectively list the names of all those who participated as a non-hierarchical collective. Through this reflection on Jawharieh, we are offered an understanding of the workings of the Palestine Film Unit and its international connections.
Mustafa Abu Ali was a Palestinian filmmaker. Abu Ali studied at the University of California-Berkeley in the 1960s before studying cinema in London, graduating in 1967. He is considered one of the founders of Palestinian cinema, and the Palestinian Cinema Association in Beirut in 1973, (re-established in Ramallah in 2004). Along with Sulafa Jadallah and Hani Jowharieh, he established the Palestine Film Unit (PFU)--which saw its primary task as "documenting the revolution and creating an archive of images of historical documents". After the PLO's move to Lebanon after the events of Black September, the PFU was renamed the Palestine Cinema Institute and became one of the seven departments of the PLO's Unified Media. Abu Ali headed the department from 1973 to 1975. Abu Ali wrote four screenplays and directed more than 30 films, for which he won more than 14 awards, the most recent from the 2003 Ismailia Film Festival.
- Year1977
- Runtime28 minutes
- LanguageArabic
- DirectorMustafa Abu Ali
- CastHani Jawharieh
Archives, often perceived as impartial guardians of history, are actually deeply entwined with political agendas. In the context of the Palestinian struggle, archives have been systematically pillaged and obliterated by the Israeli state and military, resulting in the loss of invaluable records of Palestinian history and resistance. Among the missing archives are decades of footage by the Palestine Liberation Organization’s (PLO) Palestine Film Unit (PFU). This collective of militant filmmakers emerged in the late 1960s, utilizing the camera as a tool of resistance to document the Palestinian experience and the struggle for liberation.
The film program features documentaries about the Palestinian film archive and filmic legacy – Azza El-Hassan’s KINGS AND EXTRAS: DIGGING FOR A PALESTINIAN IMAGE (2004), Mohanad Yaqubi’s OFF FRAME (aka REVOLUTION UNTIL VICTORY) (2016)– as well as a selection of earlier films created during the revolutionary Palestinian film era, which have recently been restored as part of El-Hassan’s invaluable initiative, The Void Project, which was founded in 2018 to explore the presence and absence of the Palestinian visual archives as a discourse in narrative formation, and to restore and distribute some of the surviving films of the era.
ARCHIVES OF POWER ultimately strives to amplify the voices and stories that have been marginalized and suppressed, reclaiming agency and autonomy in defiance of ongoing attempts to erase Palestinian history and visual narrative. This program serves as an indispensable platform for comprehending and challenging the mechanisms of oppression and resistance within the domain of archival representation.
Palestine in the Eye (1977)
Produced by Palestinian Film Institute
Palestine in the Eye chronicles the profound impact of Hani Jawharieh’s death for the PLO Film Unit. The film reflects on his life through interviews with family, colleagues, and his own cinematography, including the moment of his death while filming for the Unit in 1976. Although the film has later been attributed to Mustafa Abu Ali, the Unit’s method of work was to describe everyone as a collective of “workers,” and we see this in the film titles, which collectively list the names of all those who participated as a non-hierarchical collective. Through this reflection on Jawharieh, we are offered an understanding of the workings of the Palestine Film Unit and its international connections.
Mustafa Abu Ali was a Palestinian filmmaker. Abu Ali studied at the University of California-Berkeley in the 1960s before studying cinema in London, graduating in 1967. He is considered one of the founders of Palestinian cinema, and the Palestinian Cinema Association in Beirut in 1973, (re-established in Ramallah in 2004). Along with Sulafa Jadallah and Hani Jowharieh, he established the Palestine Film Unit (PFU)--which saw its primary task as "documenting the revolution and creating an archive of images of historical documents". After the PLO's move to Lebanon after the events of Black September, the PFU was renamed the Palestine Cinema Institute and became one of the seven departments of the PLO's Unified Media. Abu Ali headed the department from 1973 to 1975. Abu Ali wrote four screenplays and directed more than 30 films, for which he won more than 14 awards, the most recent from the 2003 Ismailia Film Festival.
- Year1977
- Runtime28 minutes
- LanguageArabic
- DirectorMustafa Abu Ali
- CastHani Jawharieh